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董洁行为艺术展2014年4月15日-30日在上苑艺术馆进行

[2014-3-6 11:31:37]


董洁行为艺术展2014年4月15日-30日在上苑艺术馆进行




前言

Dong Jie sees the lot of women in China as requiring careful and traditionally misogynist-oriented daily performances of being-a-woman in everyday life. Her artwork usually embody or typify women’s roles in society.

——康舒雅(美籍旅华诗人)

艺术家是思索自身存在的一类人,艺术作品是我们思索结果的表达,展览就是这种表达面向社会的呈现。

这次的展览呈现我对自身女性身份存在的长期思索的一次自我总结与完善。旨在提出我个人的观察与思虑结果能引起社会各界对女性健康、生存定义、思想情感等各方面更为广泛也更深层次地关注和思考。

这些思考不是“逞强”的女权主义——报复式的附加男性负担以示抗争;也不是“示弱”的女性主义——以“本质主义的作品” 展示普遍女性生物性的观念;而是展示中国普遍女性现状;是对此提出的反思与发问。

从女性身体——我自己的身体作为原点出发。因为女性的身体并不像男性那样为自己提供了一个可转述的第二自我(aler ego)。相反由于生理的原因,绝大多数时候,对于绝大多数女性来讲,身体给自己造成了种种限定和苦痛——身体是负担、是累赘、是障碍、是矛盾的,它会给她带来种种困扰,使她终其一生都在努力尝试着与它共处;也是统一的,它与她都同时是另一个相对立的群体——男性的观察物,男性通过它认知她,通过对她的认知而对它提出要求,她也在与他的相处中不时地改造着它。基于此她与它之间有着很多很多层面上的情感故事。从而有了“Verounique”——一个代表女性形象的符号,一个被男性观看的客观审美对象。在这被观看的过程中,她的情感、她的意识、她的思想被统统地抹去。她从中消失,转而成其物,以她的身体的形态呈现的物,也就是说只剩它——她的身体。

《无印良品》通过对内衣裤在女人体上留下的印痕做细致入微的、科学切片式的、客观的、事实性的记录与展示,体现了女性与其身体的其中一组矛盾:她为它加上束缚,对它造成伤害,他自己也不能也吃得到什么,而这是为什么?出于怎样的目的?仔细地探究将发现这里面文化的、社会的、意识形态的、世俗的......多重层面上的因素。

作品《Verounique》表现了这一点:我将身体摆弄成种种具有诱惑性的造型;拍摄下来;又又加工成艳丽、诱人、色情的颜色;再翻拍成图像;并刻意模糊制造翻拍与原画得得差异性,以体现她只是一件令人赏心悦目的观看品——它而存在。

《闺风》则是体现她与它之间种种情感故事的其中一种——自恋。她处于私密空间时,对它的自我欣赏、自我恋慕,是她与它单独共处时流露出的情感,因而这一系列所有的图片是在这样的前提环境下以这样的情感源泉完成,又在展示时特意还原这样的环境以使之主题更为突出。

在展出过程中同时进行与观众互动行为艺术,并在闭幕时有“舞踏”——日本现代舞——使展览的形式更丰富内容更多样。

在当前的中国男权社会,一旦谈到女性的话题,就会遭到男性仿佛是“正邪不两立”地抵制,而女权的问题更是会被视作男权的敌对势力,因而使得女性为自己发言的机会亦会被剥夺。而这次的作品既不是讨论女性的也不是关于女权的,只是借以艺术的方式让观众了解到女性与自身身体的关系,说出这话题,让观众了解到一个既非女性也非女权、不在男权所留意的范畴、亦会时而被女性所忽略的、女性世界的其中一个方面。愿望此次让观众对这一群体有更多的关注、了解。

                                           董洁

                                         2014年于西湖花园

 

Preface

Dong Jie sees the lot of women in China as requiring careful and traditionally misogynist-oriented daily performances of being-a-woman in everyday life. Her artwork usually embody or typify women’s roles in society.

__Kang Shuya(American poetry)

 

The Artists are the people who thinking about object being, and the art work is to express the result of our thinking. And the exhibition presents the expression to the society. This exhibition will express my thought on my existing as a female in a long term, and I want to mention my inspection result to people in all fields and they pay attention to female health, existing meaning, thoughts and emotion.

These thoughts are not feminism, neither struggling as revenge to increase male’s burden nor in the idea of naturalism to show female biological elements. I want to show Chinese Women’s common situation, doubting and thinking on it.

As a female, I set out from my body for it doesn’t offer alter ego to paraphrase himself, on the opposite, body is burden, barren, additional thing, and inconsistent, and most of the female’s body limits herself and hurts herself painfully because of biological reasons. The body, it will bring her kinds of disturbing and confusions to make herself always trying to get along with it all her life. On the other side, both of them-the body and female herself- are the objects inspected by the male. A male knows her through it and requests her through knowing it, meanwhile, she is changing it continuously during living with him. There are a lot of emotional stories based on the relationships between her and her body, then Veronique, a symbol standing for female is born, an aesthetic object inspected by male. In the duration of been inspected, her emotion, her consciousness and her thoughts are erased, she disappeared and the body is appearing , that means nothing left but her body, the object.

Shapeless Goods expressed a group of contradictions between female and her body through factual detailed objective recording and exhibiting the pressing shapes of underwear. She limits it and hurts it, but she cannot get anything by doing that, what’s the reason why she does so? I will look for the answer in many fields: society, culture, ideology, common sense and so on.

Veronique is to show this point: I photograph my body in epigamic gestures and color it bright gorgeous and pornographic, then re-photograph it and enlarge the difference between original photographs and the re-photographed image to identify it as a visual object to pleasuring people.

Boudoir Style is to express narcissism which also is one story between her and her body. In the private space, she appreciates her body and loves it only if she gets along with it privately. This series of photographs finished in the emotion occurring in a particular situation, so I try to restore such a situation while exhibiting it.

In the exhibition I will interact with the audiences to join in performance together. And there will be a Butob show -Japanese modern dance- to make the exhibition more active and diversified.

In the patriarchy society, the feminism topic will be strongly resisted by the male and considered as the hostile power. As a result, the female will be deprived the right of speaking for themselves. In this exhibition, my art works are neither talking about female nor feminine right, but making the audiences to know the relationship between female and her body by art. Talking about this topic to make the female world which beyond patriarchy and sometimes ignored by female, neither female nor feminism, come to meet the audiences.

Hope this exhibition will make the audience know more about this group of people.

 

Dong Jie

Written in Westlake Garden , 2014 




董洁  简历

                              

2012年毕业于四川音乐学院成都美术学院,获硕士学位,专业:油画

2007年毕业于四川音乐学院成都美术学院,获学士学位,专业:油画

 

个人展览:

2007年《光阴·光影》观念摄影个展 成都

2006年《迷失词语》观念摄影个展 成都

 

参加的部分展览:

20135月《异童话》行为、《关于春天的十七个瞬间》实验影像 《蓝顶艺术节》成都

201210月《被温暖的》行为《第二届“up-on”国际现场艺术节》成都

8月《断肠字点点》人形装置《中信·“七夕”艺术鉴赏会》成都

《道是无晴还有晴》行为《上苑艺术馆2012年驻馆项目结项表演》北京

7月《“卖残牡丹”董洁女性行为艺术工作坊》行为《上苑艺术馆2012年驻馆项目实施作品》北京

20125月《婚纱再美也只是一件压箱底的羽衣》图片《2012成都“春沙”》成都

20124月《胡不归》行为《第六届“谷雨行动”城市行为联展》西安

201111月《就当是唱唱反调》图片 《“跨界·颠覆”艺术家与设计师创意邀请展》成都 西村艺术空间

20119月《圣女》装置 《“自助共盒体”群展》 重庆 “器”空间

    3 《庆典——自由的1/6注解》现场 成都 千高原画廊

201012月《如梦令系列之五》观念摄影《四川音乐学院成都美术学院十年校庆展》成都

6月《雕刻时光》行为录像《破格——成都春季沙龙展》 成都 廊桥画廊

3 《被告知的》行为《第三届“前提”行为艺术节》 广州

20099 《眼睁睁,口无语2 行为 《第十届“open”国际现场艺术节》 北京

8 《断发》行为 《首届798艺术节》 北京

4 《落花流水》行为  《谷雨行动》 西安

200810月《祭奠》行为《08’第二届Vital重庆国际现场艺术节》重庆

                 《汶川纪念碑》行为 08’首届UP_ON国际现场行为艺术节》成都

       6 《眼睁睁,口无语》行为 《毁灭前的建造》郑州

2004年《生旦净末丑》装置 第二届《“农民街”现当代艺术展》成都

 

收藏:

2011年 《就当是唱唱反调》图片 成都西村艺术空间

2010  《雕刻时光》行为录像 成都廊桥画廊

2008  《纪念碑》 行为图片 澳门艺术博物馆

        《废墟上的冥想》 行为图片 澳门艺术博物馆

2007  《套色版画习作一组两张》 套色版画 四川音乐学院成都美术学院油画系

2005年  《瞳》 摄影 《“存在状态”现当代艺术图片展》主办方温江文化艺术园区收藏

 

画廊展览:

20118月《我想你时如独自口口的悲伤》图片互动装置 《“仲夏十夜”群展》 成都 成都文艺之家

20105月《愁春懒起妆图》装置 和《如梦令系列》观念摄影 《“秘密花园”女性艺术群展》上海 菲籽画廊


职业活动:

201311月《法国艺术家Awena“天之山”行为—大地景观艺术工作坊》成都 蓝顶美术馆

9月《“舞踏树”川美裕子亚洲的身体舞踏工作坊》重庆 嶺空间

             5月《德国艺术家Brios行为艺术工作坊》西安 欧亚艺术学院

20123月《日本艺术家Shimoda行为艺术工作坊》成都 西村艺术空间

20119月《“迷失词语”董洁行为艺术作品视频交流沙龙》沙龙 成都 大象酒吧

       5月《"迷失词语"董洁行为艺术作品解读》讲座/沙龙 西宁 衍书舍

20084月至20085 参与《骤然的变异》三峡库区自然、人文生态的艺术考察创作计划

 

职业或学术会议:

2013年“侃艺术”2013成都单年展颁奖晚会获“水”奖

2010 第二届中国收藏家年会

2009 第一届成都行为艺术年会

Resume

Dongjie

In 2012,Graduated from Sichuan conservatory of music in Chengdu academy of fine arts, received a master’s degree, professional: oil painting

In 2007,Graduated from Sichuan conservatory of music in Chengdu academy of fine arts, received a bachelor’s degree, professional: oil painting

Solo exhibition:

In 2007, “Light and Shadow", conceptual photography exhibitions ,Chengdu

In 2006, “Words in Lost" conceptual photography exhibitions, Chengdu

Some exhibitions:

In May 2013, "The Strange Fairy Tale" performance, "Seventeen Moment of Spring" Experimental video , “Art Festival of Blue Top Art Museum" ,Chengdu

In October 2012,"Be Warmed", “The Second ‘up – on’ International Live Art Festival”, Chengdu

In August 2012, “Heartbroken Word Bit”, “‘The Chinese Valentine’s Day’ works of Art Kam by China Citic Bank”, Chengdu

In August 2012, "The Tao is no Clear But Sunny" ,live art ,on “In The Shangyuan Art Museum Post-Hall Project Performance in 2012”, Beijing

In July 2012, " ‘sell the residual peony’ Dongjie Female Live Art workshop ",Live art ,"The Pavilion Project Implementation Work of Shangyuan Art museum in 2012” , Beijing

In May 2012, “How Beautiful Wedding Dress Just is A Plumage Under The box",Picture,"2012 ‘spring salon’ in Chengdu”, Chengdu

In April 2012,"Why Not Return”, Performance, “ The Sixth ‘Grain Rain action’ City Performance Associated”  Xi ’An

In November 2011, "Just As Sing Different Tune" Picture , “ ‘Crossover·Subversion’ Artists And Designers Invitational Exhibition”, “West Village Art Space”, Chengdu

In September 2011, "The Joan", Installation,"Self-help’ Cointegrate Group Exhibition”,“Qi-Space, Chongqing

In March 2011 "celebration - 1/6 of the free annotation", “ The Thousand Plateau Gallery”, Chengdu

In December 2010, "RuMengLing " Conceptual Photography ",“Sichuan Conservatory Of Music 10 Anniversary of Chengdu Academy Of Fine Arts Exhibition", Chengdu

In June 2010,"Carving Time"Performance video "Break Rule - Chengdu Spring salon Exhibition" , “Re-C Gallery”, Chengdu

In March 2010, "Be Told", Performance ,"The Third ‘Premise ’ Performance Art Festival" , Guangzhou

In September 2009, “Dumbfounded ",Performance, “ The Tenth ‘Open’ International Live Art Festival ", Beijing

In August 2009, “Hair Cut”, “The First 798 Art Festival”, Beijing

In April 2009, “Flowers On The Waves”, Performance,“ Gain Rain action ”, Xi’ An

In October 2008 , “Memorial Ceremony”, Performance, “ The Second Vital International Live Art Festival 2008”, Chongqing

In October 2008 , “Wenchuan Monument”, Performance, “The First UP_ON International Performance Art Festival 2008”, Chengdu

In June 2008,Dumbfounded”, Performance, “ Construction before Destruction”, Zhengzhou

2004, Sheng, Dan, Jing and Chou”, Installation, “The Second Farmer Street Contemporary Art Exhibition”, Chengdu

Collection:

2011,"Just as Sing Different", Pictures, “West Village Art Space”, Chengdu

2010, "Carving Time",Performance video, “Re-C Gallery”,  Chengdu

2008, "The Monument""On The Ruins of Meditation" Performance pictures, “The Macao Museum of Art”,Macao

2007, “ The Matching Color Print Paper is a Set of Two Pieces”, “Tinted Print Oil Painting”, “ Sichuan Consevatry of  Music”, Chengdu

2005,"Pupil" ,Photography The organizers of "Existence State Modern and Contemporary Art Picture Exhibition"——" WenJiang Culture Art Garden Collections”,Chengdu

Gallery:

In August 2011, "Such as 口口 Alone Sad When I miss you" ,Interaction installation," ‘Ten Midsummer Night’ Group Exhibitions ", “Chengdu Family of Literature and Art”,Chengdu

In May 2010, “Too Lazy to Put on Mekeup”,Conceptual Photography, “Secret Garden-Female Group Exhibition” , “FEIZI Gallery”,Shanghai

Occupational activities:

In November 2013, “The French Artist Awena ‘Mountain of Sky’ Performance And Earth Landscape Art Workshop", “ Blue Top Art Museum”,Chengdu

In September 2013" BUTO Tree Yoko Asian Body BUTO workshop ", “Ling- Space”, Chongqing

In May 2013 “The German Artist Brios Live Art Workshop ", “Xi ’An Eurasia Fine Art College”, Xi’An

In March 2012, “ The Japanese Artist Shimoda Performance Art Workshop", “West Village Art Space”,Chengdu

In September 2011, “ The Words in Lost", Dongjie Performance video Communication Salon "Salon Elephant Bar”,Chengdu

In May 2011 The Words in Lost",Dongjie Performance Interpretation Lecture/Salon”, “Yan-Book Shop”, Xining

In April to May 2008, “ ‘Sudden Changes’ in The Three Gorges Reservoir Area of Natural and Cultural Ecological Art Creation Plan

Professional or academic meeting:

2013, 2013 Single Exhibition in Chengdu won Awards "water"

2010,The Second Chinese Collectors convention”

2009,“The First Chengdu Performance Art in 2009 Annual Meeting

 

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