[2023-8-6 17:43:36]

【上苑评述】“超结构主义群展”观后感 | 王德才

The View on the "Superstructuralism Group Exhibition" at Shangyuan Art Museum

艺术活动是表达人类社会精神世界的主要行为方式之一。我们身处科技高速发展的当下，依然面临很多困难和无助。比如环境污染、自然灾害、伤病、衰老，这些我们依然无法避免，找不到很好的解决方式。幸亏有了艺术，使人可以思考和表达，疗愈着精神上的伤痛。

Art activities are one of the main ways of expressing the spiritual world of human society. We are still facing many difficulties and helplessness in the current era of rapid technological development. For example, environmental pollution, natural disasters, injuries, diseases, and aging are still unavoidable and we cannot find good solutions. Fortunately, with art, people can think and express themselves, healing their mental pain.

 石祥宇《夜郎-支格阿鲁赶山》，钢化玻璃水墨，93x139cm，2022

由北京上苑艺术馆主办、汤军和詹明昭共同策展的“超结构主义群展”，吸引了来自全国各地以及台湾、澳大利亚、法国的艺术家积极参与。本次展览以策展人“超结构主义”艺术思想为主题，并细分为他世界、意结构、异生命、暗星球、酷艺史几个单元。艺术家以各自专业的绘画、动画、雕塑、行动艺术、文字形式来展示作品。其中很多作品很有特点，令人印象深刻，对于参观者是一场丰富而热烈的视觉盛宴。

The "Superstructuralism Group Exhibition", sponsored by Shangyuan Art Museum in Beijing and co curated by Tang Jun and Zhan Mingzhao, attracted artists from all over the country, Taiwan, Australia and France to actively participate. The theme of this exhibition is the curator’s "Superstructuralism" art thought, and it is divided into several units: other world, the structure of the idea, different life, dark planet, and cool art history. Artists showcase their works in their respective professional forms of painting, animation, sculpture, action art, and text. Many of these works are very distinctive and impressive, making them a rich and enthusiastic visual feast for visitors.

郭庆利的《水之态》是个动态装置，构思巧妙，能感受到流动且不确定的线条和肌理形态之美。汤军的《时间之轴》装置看似简单，但其中蕴含了作者对空间、时间、维度的多重理解和想象，从三维、四维到十维空间，不同的维度轴代表着不同的认知，包含了对镜像与纠缠等物理学现象的思考。吕美的纸本水墨《无题之一》用最难以表现硬度和清晰度的水墨技法，表现规律交错的直线，在直线中显现黑洞、白洞，体现超时空的幻想。澳大利亚艺术家Michael Downs的《能量2》，通过混合媒介以及被直线和自由曲线分割的几何形、偶然形，再加上丰富的色彩组合，来阐释能量的概念，具有“解构主义”形式。贾诗凡油画《精神解剖》通过传统架上绘画的方式，展示出对于人体的精神解剖，充满奇思遐想。当然其他艺术家的作品也都质量很高，特别是那些行为艺术和文字符号作品，这些实验艺术作品向观众展示着独特的艺术主张和思考。

Guo Qingli’s "The State of Water" is a dynamic device, cleverly designed to feel the beauty of flowing and uncertain lines and texture shapes. The installation of Tang Jun’s "Axis of Time" may seem simple, but it contains the author’s multiple understanding and imagination of space, time, and dimensions. From three-dimensional, four-dimensional to ten-dimensional space, different dimension axes represent different cognitions, including reflections on physical phenomena such as mirroring and entanglement. Lv Mei’s paper based ink and wash "Untitled One" uses the most difficult ink and wash technique to express hardness and clarity, depicting alternating straight lines, revealing black holes and white holes in the straight lines, reflecting the fantasy of transcending time and space. The Australian artist Michael Downs’ Energy 2 explains the concept of energy through mixed media, geometric shapes and accidental shapes separated by straight lines and free curves, plus rich color combinations, and has the form of "Deconstruction". Jia Shifan’s oil painting "Spiritual Anatomy" showcases the spiritual anatomy of the human body through traditional easel painting, full of imaginative ideas. Of course, the works of other artists are also of high quality, especially those of Performance art and character symbols. These experimental art works show the audience unique artistic ideas and thinking.

汤军《飞翔的维纳斯》+《时间之轴》，石膏像及综合材料，2023

当代艺术一个最重要特征就是作品的符号化，从而增强辨识度。当初在包豪斯学院，风格派、构成派、达达派、冷抽象与热抽象的艺术家和工程师与艺术青年拓宽了艺术探索的领域，影响了后来的波普艺术。这些艺术形式已成为全世界的精神遗产。现在研究单纯形态的抽象艺术家在新时代有着更新的理解。

One of the most important features of contemporary art is the symbolization of the work, thereby enhancing recognition. At Bauhaus College, artists, engineers and young artists of style, composition, Dada, cold and hot abstractions broadened the field of art exploration and influenced the later Pop art. These art forms have become the spiritual heritage of the world. Now abstract artists who study simple forms have a new understanding in the new era.

汤军是具有开拓性思维的艺术家，他提出的“超结构主义”思想极具超前思维。他定义“超结构”为“超越日常时空结构”。超结构主义就是新的时空观，不断革新的时空观。超结构主义要打破这个现实的四维时空，获得对他时空的新理解、新认识和新知识。

Tang Jun is an artist with pioneering thinking, and his thought of "Superstructuralism" is very advanced. He defines "super-structure" as meaning "beyond the structure of daily spacetime". Superstructuralism is a new concept of time and space, a constantly innovative concept of spacetime. Superstructuralism wants to break the four-dimensional spacetime of reality and gain new understanding, new knowledge and new knowledge of other spacetime.

孙晓斌《蝠鲼》，雕塑，金属铁，28x20x75cm，2023

朱津莹《Crush》，石头及金属，2022

随着量子力学、超弦理论以及宇宙探索不断深入发展，超结构主义必将展现出新的艺术形式与内容。汤军指出新的艺术史面向这个宇宙及各种不同时空，以及探索这些时空的艺术家。而日常时空艺术只是其中很小一部分。通过这次展览，我看到了他所主张艺术形式的呈现。当然不同艺术家有不同的理解，但难能可贵的是，他们在一起产生了令人震撼的艺术力量。

With the continuous development of quantum mechanics, Superstring theory and universe exploration, super Structuralism will certainly show new artistic forms and contents. Tang Jun pointed out that the new art history faces this universe and various different time and space, as well as the artists who explore these time and space. And daily time and space art is only a small part of it. Through this exhibition, I saw the presentation of his advocated art form. Of course, different artists have different understandings, but what is commendable is that they have created a shocking artistic power together.

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