神遇迹化 ——读刘和森新水墨作品 文 / 中国国家画院 王跃奎
石涛有言，“山川与予神遇而迹化也”，此乃意象表达之最高境界。石涛借林泉云山表达心中隐逸自得之情，以示超迈旷达之胸襟。今读刘和森水墨作品，令人耳目一新，感神遇迹化之思也。 首先，和森之画借寻常百物和传统水墨材料以表哲思，启人心智，令人遐想。其画非仅视觉之美，且有智慧之味，思接天地，遁入冥想，饱含深意，从自然万象中领悟宇宙与永恒，领悟生命与人生。山水、树木、城市、道路、飞机、船舶等普通景象，沙发、水杯、牙刷、梳子、玩具、钟表、剪刀、雨伞等寻常生活用品，手机、书包、砚台等普通用具，以及鸟虫、水果、饮料瓶等常见事物，还有模糊不辩之物等等包罗万象，皆可入画，犹如蒙太奇般意象组合，自成新意。此乃中国艺术表达之精髓，犹如《诗经》与《周易》，运用相似相关之类比思维，意蕴无穷。 其次，和森之画用水墨沉淀痕迹与浓淡交叠之点作为主要艺术语言。沉淀痕迹与积墨之点隐含物像存在方式与状态，隐含永恒与时间，生命与存在等深奥含义。材料表达与哲学思考相交融，使艺术语言更加强化思想内容之深刻表达。此所谓内容与形式完美结合。 第三，和森积极进行艺术语言之开拓与材料新意之使用，让水墨这一传统材料迸发出新的生命力，显示了新的视觉呈现，难能可贵。笔墨当随时代，艺术永远在探索新的表达，在继承中国传统艺术精神之基础上融入时代精神，融入新的语言，方是中国艺术之大道。古往今来，莫不如是。 和森作品《新山水系列囚之二》语言新颖，造境奇特，充分挖掘了传统材料之新意。《新水墨系列二》取材于达芬奇《最后的晚餐》，《物语系列三》取材于范宽《溪山行旅图》，皆旧题新作，构思巧妙，别开生面，富有深意，迥异于原作之思想，另富文化之哲思。 艺无止境，和森还有很大的空间去开拓，去前进，祝福和森在未来的艺术道路上越走越远，越走越好！
中国国家画院 王跃奎 2022.7.16
Wang Yuekui: God meets trace -- Reading Liu Hesen’s new ink painting works
Divine encounter trace ——Read Liu Hesen’s new ink painting works / Wang Yuekui of the National Academy of painting of China
Shi Tao once said, "mountains and rivers are transformed by God’s encounter", which is the highest realm of image expression. Shi Tao expressed his heart through Lin Quan and Yun Shan The feeling of seclusion and complacency in order to show a broad-minded mind. Reading Liu Hesen’s ink and wash works today is refreshing and vivid The thought is also. First of all, He Sen’s paintings use ordinary objects and traditional ink materials to express philosophy, enlighten people’s minds and make people daydream. His paintings are not only visual It has the beauty of wisdom, connects heaven and earth, retreats into meditation, is full of deep meaning, and understands the universe and eternity from all natural phenomena, leading Understand life and life. Landscape, trees, cities, roads, planes, ships and other common scenes, sofa, water cup, toothbrush, comb Children, toys, clocks, scissors, umbrellas and other ordinary daily necessities, mobile phones, schoolbags, inkstones and other ordinary appliances, as well as birds and insects Fruits, drink bottles and other common things, as well as vague objects and so on, are all inclusive, which can be painted like a montage image Combination makes a new idea. This is the essence of Chinese artistic expression, such as the bookofsongs and the book of changes, which use similarity and correlation Thinking is more meaningful than thinking. Secondly, Hosen’s paintings use the point of ink deposition traces and the overlapping of shades as the main artistic language. Sediment trace and inking point concealment It contains the way and state of object image existence, and implies profound meanings such as eternity and time, life and existence. Material expression and philosophical thinking Blending, so that the artistic language can further strengthen the profound expression of ideological content. This so-called perfect combination of content and form. Third, Hesen actively explored the artistic language and used the new ideas of materials, so that the traditional material of ink and wash burst into new life Life force, showing a new visual presentation, is invaluable. Pen and ink should follow the times, and art is always exploring new expressions and inheriting On the basis of Chinese traditional art spirit, integrating the spirit of the times and new language is the road of Chinese art. from ancient to modern times, It’s true. Hesen’s work "the second prisoner of the new mountain and water series" has novel language and unique environment, which fully excavates the new meaning of traditional materials. New water Mo Series 2 is based on Leonardo da Vinci’s the last supper, and story series 3 is based on fan Kuan’s travel map of Xi and Shan, both of which are The new work with the old title is ingenious in conception, unique, profound, different from the original work, and rich in cultural philosophy. There is no end to art. Hesen still has a lot of room to explore and move forward. Bless Hesen to go further and further on the road of art in the future, The more you go, the better! China National Academy of painting wangyuekui 2022.7.16
《新实验水墨系列日常史诗物语11》 纸本水墨 150*150cm 2019
《新实验水墨系列日常史诗 3》 100* 200CM 纸本水墨 2019
《新实验水墨系列日常史诗物语12》 纸本水墨 150*150cm 2019
《新实验水墨系列日常史诗 4》 100* 200CM 纸本水墨 2019
《新实验水墨系列日常史诗16》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗17》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗18》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗19》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗20》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗21》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗22》 50* 50CM 纸本水墨 2019
《新实验水墨系列日常史诗23》 50* 50CM 纸本水墨 2019
艺术家 | Artist
毕业于云南艺术学院
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