[scene] Brackets_沙浴口’ Lee Seungjae ‘sand export ex
[2015-9-14 11:23:47]
【现场】Brackets_沙浴口’Lee Seungjae 个展12日在上苑艺术馆
[scene] Brackets_沙浴口’ Lee Seungjae ’sand export exhibition 12 in Shangyuan Art Museum
主 题: 光,空间与时间,观念摄影。日常生活是意义和审美的起点,它从重复和差异开始。
艺术家:Lee Seungjae(韩国)
时 间:9月12-15日,
展览地点:北京怀柔桥梓-上苑艺术馆
主办 单位:上苑艺术馆
作者在上苑艺术馆的工作自述:
我的工作是关于光,空间和时间。这三个组成部分是摄影中最基本的东西。有了这些我就更接近我的日常生活。在我的房间里,最熟悉的空间,是我工作的主要方法,下面是我房间里的灯光和时间的流动。我拍了照片24次(每隔一小时)在一天用相同的曝光值。这些图片按时间顺序排列。
在我们的生活中,我们得到了很多东西。这可能是社会经济的革命,个人仪式的通道,人与人之间的冲突,父母或配偶死亡,或出现一个新的生活。我们都必须相遇所有这些事件。事件背后有我们付出的日常生活。即使是一个巨大的革命,作为一个个体,我们也要过我们的日常生活。你必须睡在你房间的墙下,并不改变你生活的条件。这就是我们日常生活的重要性的原因。
我的工作目标是有一个审美的角度来看,每天的场景。为了达到目标,我必须问我自己,意义和审美的起点。在我看来,它是从重复和差异开始。我试图展示墙,每天看到我们不通过我的照相性能相同的墙。
另外,我尝试了一种新方法在上苑艺术馆。它是匹配的几张照片,拍摄于怀柔区沙峪口的道路与我房间的墙或地板上的图片。通过安排和匹配这些图片,我希望扩大到外部世界的角度。
Current Work Description In Shangyuan Art Museum
Brackets_沙峪口
Lee, Seungjae
My work is about light, space and time. These three components are the most fundamental things in photography. With these components, I would like to approach my daily life. Following the flow of lights and time of trivial daily scene of my room that is the most familiar space to me is the main method of my work. I took pictures 24 times (every one hour) a day during 7days in same exposure value. And arranged these pictures chronologically.
In our life, we are getting through lots of things. It could be socio-economical revolutions, personal rite of passages, conflicts in between people, death of parents or spouse, or giving birth to a new life. We have to get through all of these events. Buy the way, behind these all of events there is our daily life. Even though how massive revolution evokes, as a individual, we have to live our daily life. You have to go to sleep in side of the walls of your room, and have to get up inside of that also. That is non-changing conditions of your life. That is the reason of importance of our daily life.
The goal of my work is to have a point of view of aesthetic to the daily scene. In order to achieve goal, I have to ask my self about the starting point of meaning and aesthetic. In my opinion, it starts from the repetitions and differences. I tried to show the wall that we see everyday is not the same wall through my photographical performance.
Also, I tried a new method here in Shangyuan Art Museum. It is matching few photographs that were taken on the road of this district 沙峪口 with the pictures of my room’s wall or floor. By arrange and match these pictures I expect to expand the point of view to the outer world.
新闻发布Pressrelease:
上苑艺术馆-官方网站, 文学艺术国际联盟英文网站, 北京文艺网, 艺术数据网, 艺术国际网, 99艺术网, 雅昌艺术网, 当代艺术社区ART-BA-BA中国雕塑家网 新浪上苑官博, 中国美术家网, 卓克艺术网, 中国摄影网, 中国拍卖网, 当代艺术网, 中国搜索网, 中国当代艺术网
简历:
1981出生于韩国
EDUCATIONM.F.A., Photography, Hong-ik Univ., 2013M.A., Clinical and Counseling Psychology, Korea Univ.. 2010B.A., Psychology, Korea Univ., 2006 RESIDENCYBaltic Gallery of Contemporary Art, Poland, 2014SOLO EXHIBITIONBrackets_Ustka, Baltic Gallery of Contemporary Art, Poland, 2014Where You Are, Gallery NUDA, Daejeon, Korea, 2013Familiar Difference, The K Gallery, Seoul, Korea, 2013GROUP EXHIBITIONBE MY SANTA CLAUS(Charity Party), Beyond Museum, Seoul, Korea, 2012In-Sight, HOMA, Seoul, Korea, 2012Post-Photo, Gallery Gong Art Space, Seoul, Korea 2011ASYAFF, Hong-ik Univ., Seoul, Korea, 2011MEDIA COVERAGESajinyesul; The Monthly Photographic Art Magazine, June, 2013“New Generation”, pp86-89Korea Uviv. Alumni News, Feb, 2012
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上苑 & 鸟巢-文学艺术国际联盟(简称:国际文盟)
International Network of Literature and Art(INLA)
电话: 010-60635299 60635757
Website: http://www.inlac.cc/
http://www.syartmuseum.com/
交通指南□北京东直门916路、942路到怀柔,转杯柔-沙峪口(上苑艺术馆)
□京承高速12出口 > 右拐过水渠西行2KM > 良善庄路口北行到底>右拐300m路北
鸟巢文化中心建筑面积约为15,000平方米,是鸟巢建筑空间的重要组成部分。文化中心依托国家体育场•鸟巢自身的建筑特色、强烈的奥运色彩及独特的品牌文化,充分发挥鸟巢“窗口”和“平台”的自身优势,填补鸟巢作为一个露天体育场馆缺少高端文化交流和会议会展设施的空白。
Bird’s Nest Cultural Center has 15,000 square meters’ construction area. It is an important component of the architectural space of Bird’s Nest. The cultural center, based upon the architectural characters of the National Stadium/Bird’s Nest, strong Olympic spirit and unique brand culture, is now completing the role as a high end facility for cultural events and conferences which Bird’s Nest lacks as an outdoor sport stadium.
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