[2018-9-9 8:34:18]

[scene] Redemption: Mi Heyan exhibition opens in September 8th

策展人：李念奴

Curator: Li Niannu

学术主持：邢昊

Academic Host: Xing Hao

开幕时间：2018年9月8日，下午3：30

Open: Aug. 8th, 2018, 15:30

展览时间：2018年9月8日至14日

Time: Aug, 8th to 14th, 2018

展览地点：北京市桥梓艺术公社上苑艺术馆二号展厅

Venue: Beijing Qiaozi Art Commune, Shangyuan Art Museum, Exhibition Hall No. 2

主办单位：北京上苑艺术馆

Organizer: Beijing Shangyuan Art Museum

前言

欲望是浅显的，因为人人会有。欲望是无边的，因为人心不足蛇吞象。青年画家宓赫言的画作，既是一种欲望的达成，又是一种自我的救赎。

宓赫言偏爱暗色调，习惯用一种扭曲和颠覆的方式，来呈现内心的纠结和痛苦。他总能在冗杂的日常事物中，探寻到宣泄情感的出口。一段时间以来，宓赫言尝试着完全抛掉大多数自身不需要和不重要的东西，例如香烟、酒精、无意义的社交等等。他认为绘画是他在中途很容易舍去的一个点，但直到他几乎把自己调整到除了生活所需外，再无其他事物时，绘画却依旧存在。这时他才明白，其实他所谓的那些创作，都是他内在情感的一个出口，一个他与灵魂沟通的桥梁。思想的深渊，人类的痛苦，如此巨大，如果没有恰当的出口，他实在无法承受，创作便是他唯一方式，他选择通过绘画向世人坦诚内心的隐秘世界。

邢昊

Desire is shallow since it is something everyone has. It is also endless as men’s greed has no end. Young painter Mi Heyan’s paintings is both a representation of desire and a self-redemption.

Mi Heyan likes dark colors. He likes to express his inner struggle and suffering via a twisted and subverting manner. He is always searching for a gateway to let out his emotions in daily life. For a period of time, he tried to abandon everything that was not essential to his life, for instance, cigarettes, alcohol, meaningless socialization, and etc. He thought that painting was something easy to remove from his life, but when he eliminated almost everything unessential, he found out that painting could not be removed. Until then, he realized that all the creative work he had done was to search for an exit for his emotions, a bridge to communicate with his soul. The abyss of thoughts, the suffering of human kind is so great that if there is not an appropriate exit, he cannot bear it any longer. To create is his only way, he chooses painting as the manner to reveal his inner self to the world.

by Xing Hao

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