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Manjunath.Honnapura（印度，综合材料）
[2014-12-31 10:13:17]
Manjunath.Honnapura（印度，综合材料）
Born :
1981 Honnnapura (Tumkur dist Karnataka)
Qualification :
Diploma in painting Ravindrakala Niketan
at Tumkur
Karnataka India 2001 Advanced Diploma in Painting at Bangalore
University Bangalore Karnataka India 2006
PARTICIPATION
2013- 2014 : Annual art exhibition All
India fine arts and crafts society New Delhi
2013 : Western region Art Exhibition Camlin
Ltd. Mumbai
2012 :“Imaging Our Future Together” South
Asia region art Exhibition Dhaka Bangladesh new Delhi and Washington DC Organized by World Bank
2011 & 2012 :53rd 54th National art
exhibition lailit kala Academy new Delhi
2008 :
Ravi Jain Annual exhibition of paintings at
Dhoomimal art gallery New Delhi.
2008 209 & 2011 : Annual art exhibition lalit kala Academy
Bangalore
2002 2004 & 2006 : Kalajathre Venkatappa art gallery.
2000, 2003 and 2004 : IInd, Vth and VIth Southern region Art
Exhibition Camlin Ltd. Bangalore.
2001 & 2004 : 15th 19th and 18th All India art Exhibition
S.C.Z.C.C Nagpur.
2001and 2002 : IIIrd and IVth A.B.V.P Art Exhibition
Bangalore.
2002 :
1st Today’s art Exhibition Tumkur.
2002 :
16th All India art Exhibition Tilak Smarak
Trust Pune.
GROUP SHOWS
2014 : Banyan art show”An Exhibition of
paintings at Ganges Art Gallery Kolkata
2013 : Mumbaism An Exhibition of paintings
at NCPA auditorium Mumbai
2011
“Emerge Art Show” An Group Exhibition at exhibition Hall, Faculty of fine arts Baroda
2011 2013 :“Banyan Art Show” An Exhibition
of paintings at exhibition Hall,
Faculty of fine arts Baroda
2011 2013,2014 :“Shimeesha Art Show” An
Exhibition of paintings at exhibition
Hall, Faculty of fine arts Baroda
2008 :
An exhibition of paintings at Deepika
Govind art gallery New Delhi
2008 :
An Exhibition of paintings at ISTA by
gallery art is Zen.
2008 :
“Indian kaleidoscope” an exhibition of
paintings at Gallery Archana in Kulalumpur
Malaysia.
2007 :
An Exhibition of paintings at Chitrakala
Parishath.
2007 :
“Guernica to nithari” A homage An
Exhibition of Paintings at Canvas art
gallery
New Delhi.
2006 :
Exhibition of Paintings at Cava Art Gallery
Mysore
2006 :
“Art Huger” an Exhibition of paintings at
Chitrakala Parishath.
2006 :
“Art Huger” an Exhibition of paintings at
Ananya art Gallery Mukti Centre Pondicherry
2006 :
“Art Huger” an Exhibition of paintings at
Nehru centre Mumbai
2004
: “Art Huger” an Exhibition of
paintings at
Lakshana art gallery Bangalore Chennai,
and Hyderabad.
2003 :
“Genius” an Exhibition of paintings at
Venkatappa art gallery Bangalore
2003 :
“Genius” an Exhibition of paintings at
Prasad art gallery Mangalore sponsored by
K.L.K.A Bangalore.
2000
: Environmental art Exhibition at
R.K.N
School of art Tumkur.
SOLO SHOWS
2104 : In pursuit of an aesthetic experience an exhibition paintings
jehangir art gallery mumbai
2011 : An Exhibition of paintings at exhibition Hall, Faculty of fine arts
Baroda
2007 : ”Ecstasy for Communication” an Exhibition
of Paintings at Chitrkalaparishath Bangalore.
AWARDS
2013 : Western region Art
Exhibition Camlin Ltd. Mumbai
2011 : Annual art exhibition lalit kala Academy
Bangalore
2002 V.V.K Oak award Tilak Smarak Trust Pune.
2001& 2002 : IIIrd and IVth A.B.V.P Art Exhibition
Bangalore
Collections : World Bank Head Office
Washington, I arts Project art Gallery Canada, Archana Art Gallery Malysia,
Banyanart and shimeeshaart.com Indianartcolllectors.comU.S.A. UK, Malaysia,
Bangalore, Delhi, Chennai, Hyderabad, Mumbai,Kolkota, Surat Many more private
collections in India
Country Visited : “Imaging Our Future Together” South Asia region art
Exhibition Dhaka Bangladesh new Delhi and Washington DC Organized by
World Bank
自述：
In pursuit of an aesthetic experience
The works of Manjunatha Honnapura strikingly and dominantly address the dynamic
nature of things and thereby focus our attention on the very aesthetic nature.
The multidimensional movements depicted suggest a few things depending on the
condition of perception. Whether the life is delineated as microscopic
and macroscopic, finite or infinite, atomic or non-atomic, self or selfless,
immanent or transcendent, one or many, objective or subjective etc., the
movement inheres and underlies that the very dynamics of life is in
the movement and that everything is in the Heraclites an flux at all
times.
The artist makes us too the part of the canvas and one with the moments
moving with a hefty load of innumerable constructions amassed since several
centuries, breathing heavily but discarding nothing. The artist
firmly knows that the painting drawn by the viewer is the product in the real
sense and the work of the artist can only be a relative text and thus
accommodates the onlooker as the part of the painting. This undoubtedly points
us to a concept of aesthetics that the painting is a process wherein the
painter, the canvas, the viewer and the condition of viewing have a fair
responsibility to perform in the process and to think beyond the set pattern of
perception. The artist has intensely woven in a subtle way the concept of
relational origination in almost all the works. The works strongly suggest us
to remain true to our experiences by first turning our attention to the inner,
direct and intimate dynamics of things before we proceed to understand the
external, indirect and peripheral dynamics of things.
One more thing, the artist tries to explore, is the binary pattern of
perception and its transcendence. The reality is more than what could be found
in the empirical or phenomenal world. Some of the works make us to involve
ourselves deeper, wider and beyond ordinary perception of things. The time and
space which are considered to be strong constraints in relational origination
pose great challenges to the artist as well. The paintings of Manjunatha
Honnapura with an intimacy felt through all our sensory organs provide us a
wonderful experience.
S Nataraja Budalu
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