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美术 > 2015候选人
Manjunath.Honnapura(印度,综合材料)

[2014-12-31 10:13:17]


Manjunath.Honnapura(印度,综合材料)

 

Born :  1981 Honnnapura (Tumkur dist Karnataka)

Qualification   :  Diploma in painting Ravindrakala Niketan

at Tumkur  Karnataka India 2001 Advanced Diploma in Painting at Bangalore

University Bangalore Karnataka India 2006

PARTICIPATION

2013- 2014 : Annual art exhibition All India fine arts and crafts society New Delhi

2013 : Western region Art Exhibition Camlin Ltd. Mumbai

2012 :“Imaging Our Future Together” South Asia region art Exhibition Dhaka Bangladesh new Delhi and Washington DC  Organized by World Bank

2011 & 2012 :53rd 54th National art exhibition lailit kala Academy new Delhi

2008 :   Ravi Jain Annual exhibition of paintings at  

Dhoomimal art gallery New Delhi.

2008 209 & 2011 :  Annual art exhibition lalit kala Academy

Bangalore

2002 2004 & 2006 :  Kalajathre Venkatappa art gallery.

2000, 2003 and 2004 :  IInd, Vth and VIth Southern region Art

Exhibition Camlin Ltd. Bangalore.

2001 & 2004 :  15th 19th and 18th All India art Exhibition

S.C.Z.C.C Nagpur.

2001and 2002 :  IIIrd and IVth A.B.V.P Art Exhibition

Bangalore.

2002 :  1st Today’s art Exhibition Tumkur.

2002 :  16th All India art Exhibition Tilak Smarak

Trust Pune.

GROUP SHOWS

2014 : Banyan art show”An Exhibition of paintings at Ganges Art Gallery Kolkata

2013 : Mumbaism An Exhibition of paintings at NCPA auditorium Mumbai

 2011  “Emerge Art Show” An Group Exhibition at   exhibition Hall, Faculty of fine arts Baroda

2011 2013 :“Banyan Art Show” An Exhibition of paintings at   exhibition Hall, Faculty of fine arts Baroda

2011 2013,2014 :“Shimeesha Art Show” An Exhibition of paintings at   exhibition Hall, Faculty of fine arts Baroda

2008 :  An exhibition of paintings at Deepika

Govind art gallery New Delhi

2008 :  An Exhibition of paintings at ISTA by

gallery art is Zen.

2008 :  “Indian kaleidoscope” an exhibition of

paintings at Gallery Archana in Kulalumpur

Malaysia.

2007 :  An Exhibition of paintings at Chitrakala 

 Parishath.

2007 :   “Guernica to nithari” A homage An

Exhibition of Paintings at Canvas art gallery

New Delhi.

2006 :  Exhibition of Paintings at Cava Art Gallery

Mysore

2006 :  “Art Huger” an Exhibition of paintings at

Chitrakala Parishath.

2006 :  “Art Huger” an Exhibition of paintings at

Ananya art Gallery Mukti Centre Pondicherry

2006 :  “Art Huger” an Exhibition of paintings at

Nehru centre Mumbai

2004  :  “Art Huger” an Exhibition of paintings at

Lakshana art gallery Bangalore Chennai,

and Hyderabad.

2003 :  “Genius” an Exhibition of paintings at

Venkatappa art gallery Bangalore

2003 :  “Genius” an Exhibition of paintings at

Prasad art gallery Mangalore sponsored by K.L.K.A Bangalore.

2000  :  Environmental art Exhibition at R.K.N

School of art Tumkur.

 






















SOLO SHOWS
2104 : In pursuit of an aesthetic experience an exhibition  paintings jehangir art gallery mumbai
2011 : An Exhibition of paintings at exhibition Hall, Faculty of fine arts Baroda
2007 : ”Ecstasy for Communication” an Exhibition 
of Paintings at Chitrkalaparishath Bangalore.
AWARDS
2013 :  Western region Art 
Exhibition Camlin Ltd. Mumbai
2011 :  Annual art exhibition lalit kala Academy 
Bangalore
2002 V.V.K Oak award Tilak Smarak Trust Pune.
2001& 2002 :  IIIrd and IVth A.B.V.P Art Exhibition 
Bangalore   
Collections            : World Bank Head Office Washington, I arts Project art Gallery Canada, Archana Art Gallery Malysia, Banyanart and shimeeshaart.com Indianartcolllectors.comU.S.A. UK, Malaysia, Bangalore, Delhi, Chennai, Hyderabad, Mumbai,Kolkota, Surat Many more private collections in India
Country Visited : “Imaging Our Future Together” South Asia region art Exhibition Dhaka Bangladesh new Delhi and Washington DC  Organized by World Bank


自述:
In pursuit of an aesthetic experience
The works of Manjunatha Honnapura strikingly and dominantly address the dynamic nature of things and thereby focus our attention on the very aesthetic nature. The multidimensional movements depicted suggest a few things depending on the condition of perception.  Whether the life is delineated as microscopic and macroscopic, finite or infinite, atomic or non-atomic, self or selfless, immanent  or transcendent, one or many, objective or subjective etc., the movement  inheres  and underlies that the very dynamics of life is in the movement and  that everything is in the Heraclites an flux at all times.  

The artist makes us too the part of the canvas and one with the  moments moving with a hefty load of innumerable constructions amassed since several centuries,   breathing  heavily but discarding nothing. The artist firmly knows that the painting drawn by the viewer is the product in the real sense and the work of the artist can only be a relative text and thus accommodates the onlooker as the part of the painting. This undoubtedly points us to a concept of aesthetics that the painting is a process wherein the painter, the canvas, the viewer and the condition of viewing have a fair responsibility to perform in the process and to think beyond the set pattern of perception. The artist has intensely woven in a subtle way the concept of relational origination in almost all the works. The works strongly suggest us to remain true to our experiences by first turning our attention to the inner, direct and intimate dynamics of things before we proceed to understand the external, indirect and peripheral dynamics of things. 

One more thing, the artist tries to explore, is the binary pattern of perception and its transcendence. The reality is more than what could be found in the empirical or phenomenal world. Some of the works make us to involve ourselves deeper, wider and beyond ordinary perception of things. The time and space which are considered to be strong constraints in relational origination pose great challenges to the artist as well. The paintings of Manjunatha Honnapura with an intimacy felt through all our sensory organs provide us a wonderful experience.

S Nataraja Budalu

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