Naiad and Spirit of Mountain --- Feng Jiali & Jie Yi’s Work Exhibition

 

 

一号展厅刚刚布置完成的《水精&山魂》之奉家丽&解译作品现场

      24日下午3:00开幕后,发现奉家丽&解译的联展活动被当地利益团体严重关注, 他们发动了一场声势浩大的阻止展览开幕的运动. 可想<奉家丽&解译的联展>是多么值得大家期待.

     这次展览的开幕式, 非常意外地迫使几十名中外观众和新闻人士与之进行了一场不屈不挠的斗争, 跋山涉水 绕道燕山果园, 从一夹道中进入展览现场. 这样不平凡的观展活动着实让大家新奇了一把.

     此次展览的策展人程小蓓表示, 君子取才应取之有道. 当地利益团体想要霸占上苑艺术馆, 用破坏捣乱<奉家丽&解译的联展>的行为, 是不道德的行为,  当地利益团体应该采取合理合法的君子手段.

      这种将自己的快乐建立在他人的痛苦之上的卑鄙行为,这种阻止公民通行自由的违法行为, 居然都在警察的眼皮底下进行着. 我们不仅要问,难道我们这个国家真的到了流氓可以肆意横行的程度?

     有DV拍摄记实,被当地利益团体聘请的村民,所导演的一场被动的行为艺术与奉家丽&解译的联展同时产生的现场效果.请大家敬候记录片下回分解.  

Shangyuan Village is where Shangyuan Art Scence’s root is, and that is why I got a feeling of familiarity when I saw Feng Jiali and Jie Yi’s work.

I call Feng Jiali Naiad. She has the qualities that only women can have which make her a free spirit wandering around those dams and weirs.

When she breaks out the studio which is haunted by stereotyped ideology and go outside to make landscapes, you can see colorful mucilage is breeding inside a woman’s body and through her brushes those colour solidify on the painting.

This is where Song of Bamboo comes from.

I call Jie Yi the Spirit of Mountain. The power in his Pot Style and Mountain Rock can only find in mountains and men.

But in his wounded blue and white porcelain----16 screens you can see the insolence that struck by female. May be from another standpoint you can see the broken after the fighting of life. But in my position I only can see a potential power which will rise from the frozen Yanshan Mountain.