|
Superstructuralism Network Exhibition
[2022-7-24 10:17:10]
上苑展讯】超结构主义网络群展
Superstructuralism Network Exhibition
策展人兼学术评论：汤军
主办：北京 上苑艺术馆
参展人：
1、钟勤Qin Zhong
2、王建中Jianzhong Wang
3、李博Bo Li
4、王珑澔Longhao Wang
5、石祥宇Xiangyu Shi
6、刘柏林Bailin Liu
7、詹明昭Mingzhao Zhan
8、Josh Gibbs 乔治·吉布斯
9、韦少东Shaodong Wei
10、炫名Xuanming
11、王小冬Xiaodong Wang
12、郑志岩Zhiyan Zheng
13、达达•尚Dada·Shang
14、王毅Yi Wang
15、王俊鹏Junpeng Wang
16、弑骨Shigu
17、赵莹Ying Zhao
18、叶军Jun Ye
19、苏中菲Zhongfei Su
20、刘东路Donglu Liu
21、莫籽Mos
22、琼芯Qiongxin
23、蓝京华Jinghua Lan
24、罗应龙Yinglong Luo
25、秦姣姣Jiaojiao Qin
26、凌惠华Huihua Ling
27、周日升Risheng Zhou
28、Goran STAKIC 戈兰·斯塔凯克
29、Endika Ruiz 恩迪卡·鲁伊斯
30、曲小哼Xiaoheng Qu
31、程毅Yi Cheng
32、秦韦赛Weisai Qin
33、大鸟Bigbird
34、朱鲲Kun Zhu
35、王令怡Lingyi Wang
36、杜志阳Zhiyang Du
37、冯开兰Kailan Feng
38、胡人伟Renwei Hu
39、李蕤Rui Li
40、李天恩Tianen Li
41、丽莎Lisa
42、梁治远Zhiyuan Liang
43、卢凤才Fengcai Lu
44、滕锋Feng Teng
45、滕亚红Yahong Teng
46、邢昊Hao Xing
47、徐宏雁Hongyan Xu
48、古洪强Hongqiang Gu
49、张志刚Zhigang Zhang
50、汤军Jun Tang
一、序 Preface
1、以往的艺术与群展 The art and group exhibition in the past
以往的一切艺术，都是对时空的探索与凝视，只不过它们针对的是日常时空。
All the art in the past is the exploration and gaze of space-time. But they are aimed at usual space-time.
它们及其美学无非是以不同角度，打量我们这个日常时空。它们总是在努力表现我们所常驻的这个时空，无论写实还是超现实，不管内容充实还是以形式为主，在人物和景物间摇摆不定，在具象与抽象间纠结不已。
All the art in the past and their aesthetics are nothing more than measuring our usual space-time from different angles. They are always trying to express the space-time we live in, whether realistic or surreal, whether rich in content or mainly in form, wavering between people and scenery, and tangled between concrete and abstract.
基于以上评论，可知既有的群展只是一个主题之下的大杂烩。于是，有的群展以年龄来显示特征，有的则写出一篇貌似学术的主题阐释，还有的只能自称为联展。这些，不过是每个艺术家独立个性的混杂相处。
Based on the above comments, we can see that the existing group exhibition is just a hodgepodge under one theme.Therefore, some group exhibitions show their characteristics by age, some write a seemingly academic interpretation of the theme, and others can only call themselves joint exhibitions. These are just the mixing of each artist’s independent personality
2、超结构主义群展的含义 The meaning of Superstructuralism group exhibition
自从量子力学横空出世，这个世界的基础理论一百年来几乎没有更新了。而超结构主义基于认知经验对这个世界发出极致想象。它可以是多时空并置、时空交错和平行宇宙，也可以是虚拟时空、暗时空以及十维空间等等。
Since the birth of quantum mechanics a hundred years ago, the basic theory of the world has hardly been updated. Superstructuralism sends out the ultimate imagination of the world based on cognitive experience. It can be multispace-time juxtaposition, space-time interleaving, parallel universe, virtual space-time, dark space-time, ten dimensional space and so on.
这时候，就需要发挥每个艺术家的时空经验，需要用群体想象来诠释超结构主义。也因此，群展可说是超结构主义实践的第一步。
At this time, it is necessary to give play to the space-time experience of each artist, and to interpret Superstructuralism with group imagination. Therefore, group exhibition can be said to be the first step in the practice of Superstructuralism.
3、内容与形式 Content and form
此次群展的形式包括了架上、装置、摄影、手机绘画、数字绘画、电影、视频、动画、诗歌和观念实验。不同艺术家对时空、超时空理解不同，呈现出百花齐放的多媒体思想盛宴。这正是超结构主义的期待，即期待新时空观不断涌现。
The forms of this group exhibition include painting, devices, photography, mobile phone painting, digital painting, film, video, animation， poem and concept experiment. Different artists have different understandings of time-space and super time-space, presenting a feast of multimedia ideas. This is exactly the expectation of Superstructuralism, waiting for the continuous emergence of new space-time concepts.
作品 Works
钟勤 Qin Zhong
钟勤 独立艺术家，紧跟科技时代潮流，用新科技和新材料进行艺术创作。担任佳能公司摄影现场活动专家多年。2007年受瑞士LICHT FELD画廊邀请参加巴塞尔国际展览，并多次参加该画廊组织的瑞士和法国展览。
Qin Zhong Independent artists，follow the trend of the technology era and create art with new technology and new materials. He has been an expert in Canon photography field activities for many years. In 2007, he was invited by Licht feld Gallery in Switzerland to participate in the Basel international exhibition, and has participated in the Swiss and French exhibitions organized by the gallery for many times.
【作者阐释 Author’s explanation】
《走过历史》系列摄影（如下三图）是我今年驻馆期间创作的。用当代手法将古建筑画面处理成波浪线形式，象征着建筑时空的复活。用当下观念穿梭到古代空间和古人对话，从而形成一幕幕历史故事展现在观者面前。
The series of photography of "walking through history" (the following three pictures) was created during my residence in the museum this year. Using contemporary techniques, the ancient architectural pictures are processed into wavy lines, symbolizing the revival of architectural space-time. Shuttling to the ancient space with the current concept to have a dialogue with the ancients, thus forming scenes of historical stories to be displayed in front of the viewer.
《走过历史》之紫禁城（一） 数码照片
Through history: the Forbidden City (I) digital photos
【画评Review】此作以变形的手法、低机位的方式对故宫广场的景象做了处理，而且将一位游客的行走状态融入其中。厚厚的土石占据着观者的视野，正是历史的积淀。于是，现实时空和历史时空交织在一起，形成沉思的力量。
This works deals with the scene of the Forbidden City Square by means of deformation and low stand, and integrates the walking state of a tourist into it. The thick earth and rock occupy the viewer’s vision, which is the accumulation of history. Therefore, realistic space-time and historical space-time are intertwined to form the power of meditation.
《走过历史》之紫禁城（五） 数码照片
Through history: the Forbidden City (V) digital photos
【画评Review】此作以大殿外丹墀、石雕栏板等构成主要内容。一位清代贵族装束的女子立于石阶之上，如泣如诉。其情境与波浪状的空间正相适应，构成了一个情感的波化世界。
The main content of this works is composed of red steps outside the main hall and stone carved balustrades. A woman dressed as an aristocrat in the Qing Dynasty stood on the stone steps, weeping like a whistle. Its situation is in line with the wavy space, forming an emotional wavy world.
《走过历史》之长城（四） 数码照片
Through history: the Great Wall (IV) digital photos
【画评Review】长城烽火台的变形，正是其欲从雄踞燕山之上的固有结构中挣脱出来的精神表现。
The deformation of the beacon tower of the Great Wall is the spiritual expression of its desire to break away from the inherent structure perched on Yanshan mountain.
【策评Review】
钟勤以简单而有趣的变形手法，对故宫、长城这样的经典建筑空间做了戏剧性诠释，却对日常时空发出了“No”的吼声。
Qin Zhong made a dramatic interpretation of classic architectural spaces such as the Forbidden City and the Great Wall with simple and interesting deformation techniques, but he roared "no" to daily space and time.
王建中 Jianzhong Wang
王建中（王中） 1966年生于河北栾城，先后就读于华北石油教育学院、河北师范大学美术学院、中国美术家协会油画研修班。河北省美术家协会理事，河北省美术家协会策展委员会副主任，河北油画学会常务理事，中国石油美术家协会常务理事，中国意象油画研究会会员，中国工业版画研究院研究员，河北画院版画院研究员，河北工业版画研究院副秘书长，沧州油画学会副主席，沧州画院油画院副院长，华北油田美术家协会副主席兼秘书长。
Jianzhong Wang（Zhong Wang） Born in Luancheng, Hebei Province in 1966, he studied at North China Institute of petroleum education, the Academy of fine arts of Hebei Normal University, and the oil painting seminar of the Chinese Artists Association. Director of Hebei Artists Association, deputy director of the exhibition planning committee of Hebei Artists Association, executive director of Hebei oil painting society, executive director of China Petroleum Artists Association, member of China Image Oil Painting Research Association, researcher of China Industrial printmaking Research Institute, researcher of Hebei printmaking Academy, Deputy Secretary General of Hebei Industrial Printmaking Research Institute, vice chairman of Cangzhou oil painting society, vice president of Cangzhou oil painting Academy, Vice president and Secretary General of North China Oilfield Artists Association.
《进化系列之二》 布面油画，140x110cm
Evolution Series II cloth oil painting
【画评Review】一只多乳青蛙长着人的手与脚以及牙齿，以如此突兀的形象立于城市的屋顶，面带笑容。它是青蛙的进化，还是人类的进化呢？但无疑的，它是时间累积的进化。
A milky frog with human hands, feet and teeth stands on the roof of the city in such an abrupt image with a smile on his face. Is it frog evolution or human evolution? But undoubtedly, it is the evolution of time accumulation.
《异化系列之五》 布面油画，150x200cm
Alienation Series V cloth oil painting
【画评Review】当巨大的蝗虫在上海的高架桥上飞奔时，不能不让人想到科幻电影《猩球崛起》。这是生物的异化，也是时空的异化。即在日常时空里不可见的情景出现了，同时也改造了时空本身。
When the giant locusts gallop on the viaduct in Shanghai, people cannot help thinking of the science fiction film "the rise of the scarlet ball". This is the alienation of biology and space-time. That is, the invisible scene in daily space and time has appeared, which has also transformed space and time itself.
【策评Review】
王建中的《进化系列》及《异化系列》作品内容都是以动物为主要角色，来表现一个怪异的场景。它们既是动物或其隐喻的社会的进化与异化，也是日常时空的进化与异化。从而，使得在动物、社会、时空之间搭建起了一个超结构的关系。
Wang Jianzhong’s works "Evolution Series" and "alienation series" both take animals as the main characters to show a strange scene. They are not only the evolution and alienation of animals or their metaphorical society, but also the evolution and alienation of daily space and time. Thus, a superstructural relationship is built between animals, society and time and space.
李博 Bo Li
李博 2009年毕业于鲁迅美术学院油画系一工作室，获硕士学位。2009年任教于吉林动画学院，2015年参加北京上苑艺术馆国际艺术家驻留计划。
Bo Li Graduated from the oil painting Department studio 1 of Lu Xun Academy of Fine Arts with a master’s degree in 2009. He taught in Jilin animation Institute in 2009 and participated in the international artist residence program of Beijing Shangyuan Art Museum in 2015.
《悲剧的诞生》 布面油画，200x160cm，2021年
The birth of tragedy cloth oil painting
【画评Review】几个工人在车间里搬运着维纳斯雕像，这个情景本身就很怪异。灰色的年代，迷失的地点，如常的操作，无不在提示这是一个错乱的时空。
Several workers are carrying the statue of Venus in the workshop. The scene itself is very strange. The gray age, the lost place and the normal operation all remind us that this is a disordered space-time.
《冥河暗渡》 布面油画，200x160cm，2021年
Dark crossing of the Styx River cloth oil painting
【画评Review】角马遭遇鳄鱼的攻击，背景却是大型工厂。在这里，我们能看到超现实主义的影子，但我依旧把它理解为是超结构的。因为它与其说是梦境中的景象，不如说是理性化的时空交错。
Wildebeest was attacked by crocodiles, but the background was a large factory. Here, we can see the shadow of surrealism, but I still understand it as superstructure. Because it is not so much a scene in a dream as a rational intersection of space- time.
《月是故乡明》 布面油画，100x80cm，2021年
Moon is bright in hometown cloth oil painting
【画评Review】大白宇航员这个符号一般象征着外太空，这样的象征在此后别的艺术家作品里还会多次出现。此时，他坐在废弃工厂一角阅读着什么，旁边的录音机似在播放着无声的乐曲。这里到底是外太空的一角，还是地球上的某处，已经不重要了。
The symbol of white astronaut generally symbolizes outer space, which will appear many times in the works of other artists in the future. At this time, he was sitting in a corner of the abandoned factory reading something, and the recorder beside him seemed to be playing silent music. It doesn’t matter whether this is a corner of outer space or somewhere on earth.
【策评Review】
李博的画作充满时空交错的哲思。无论是维纳斯、角马还是宇航员，都在生动地追问：寻常世界是否值得来过一万次？非寻常的世界来过一百次，是否也会变成寻常的世界？
Li Bo’s paintings are full of philosophical thoughts of the intersection of time and space. Whether Venus, wildebeest or astronauts, they are asking vividly: is the ordinary world worth visiting 10000 times? If the unusual world has been here a hundred times, will it also become an ordinary world?
维纳斯来过工厂，工厂就变得有些非比寻常，这种经验的来源是什么。角马被鳄鱼攻击，使得工业区的滔滔洪水变成非洲草原上的大河，这样的陌生化是如何发生的。宇航员降落在工厂的破旧一角，仿佛那里就有了意外的生气，这又是怎样可能的。这一切其实都源于我们对时空的经验认识与记忆。
Venus came to the factory, and the factory became a little unusual. What is the source of this experience. Wildebeest was attacked by crocodiles, which turned the surging flood in the industrial area into a river on the African grassland. How did this strangeness happen. The astronaut landed in the shabby corner of the factory, as if there was unexpected anger. How is this possible. In fact, all this stems from our experience, knowledge and memory of time and space.
王珑澔 Longhao Wang
王珑澔 提出“科学与艺术精神实验性创作理论”。四川美术学院油画专业毕业，天津美术学院油画高研班结业，中国当代艺术联盟精神艺术学会会长，中国人民网学术委员会委员，现代管理大学艺术研究员，中国佛教艺术书画院院士，重庆市美术家协会会员。
Longhao Wang Put forward the "experimental creation theory of scientific and artistic spirit". Graduated from Sichuan Academy of fine arts majoring in oil painting, graduated from the oil painting advanced research class of Tianjin Academy of fine arts, President of the Spiritual Art Society of China Contemporary Art Federation, member of the academic committee of China People’s network, art researcher of modern management university, academician of China Buddhist art calligraphy and painting Academy, and member of Chongqing Artists Association.
王珑澔作品
Wang Longhao’s works
【画评Review】此作对古典场景做了云化处理，使得几个日常景象变成了仙境。其实仙境不过是人们对非经验时空的代称。
This work cloud the classical scenes, making several daily scenes into fairyland. In fact, Wonderland is just a substitute for non empirical space-time.
王珑澔作品
Wang Longhao’s works
【画评Review】在这个“仙境”里，我们能看到熊猫、佛祖、裸女等奇奇怪怪的人物共饮一河水，还能从中感受到一种怪异的气氛。这与之前李博的作品有某些相似之处，但显得更加诡异与极致。
In this "fairyland", we can see strange figures such as pandas, Buddha and naked women drinking a river together, and we can also feel a strange atmosphere from it. This has some similarities with Li Bo’s previous works, but it is more bizarre and extreme.
【策评Review】
王珑澔的作品于传统中国画构图中拾取了妖性，拓展了中国画的时空，使其延伸至神魔之域，也就扩展到了日常时空之外，从而可以体味到更多更深的内涵。
Wang Longshu’s works pick up the demonic nature in the composition of traditional Chinese painting, expand the space-time of Chinese painting, extend it to the realm of gods and demons, and expand it beyond the daily space-time, so that we can appreciate more and deeper connotations.
石祥宇 Xiangyu Shi
石祥宇 贵州省瓮安县人，毕业于西安美术学院中国画系之陈国勇工作室。
Xiangyu Shi A native of Weng’an county, Guizhou Province, graduated from the Chen Guoyong studio of the Chinese Painting Department of Xi’an Academy of Fine Arts.
《夜郎国-古歌26-甫方撑天2-夜郎国》 布面丙烯，软片，40x80cm，2018年
Yelang country - Ancient Song 26 - Fu Fang supporting the sky 2 - Yelang country cloth acrylic
《夜郎国-夜郎01》 纸本水墨，软片，178x288cm，2015年
Yelang Kingdom - Yelang 01 paper ink
《夜郎国-夜郎05》 纸本水墨，软片，178x192cm，2021年
Yelang Kingdom - Yelang 05 paper ink
【策评Review】
石祥宇的水墨作品用生命的体验，对其家乡的古老民族传说进行了富有当代性的诠释。显然，他还通过自己的作品与构思对古老传说及其神怪人物做了梳理和重构，同时也就构建了一个新的时空。从空间上来看，它是无垠的；从时间上来看，它又是不确定的。
Shi Xiangyu’s ink painting works give a contemporary interpretation of the ancient national legends of his hometown with the experience of life. Obviously, he also combed and reconstructed the ancient legends and their gods and monsters through his own works and ideas, and also constructed a new space-time. In terms of space, it is infinite; In terms of time, it is uncertain.
刘柏林 Bailin Liu
刘柏林 湖南人。热爱绘画，热爱艺术，热爱生活。
Bailin Liu From Hunan. Love painting, art and life.
刘柏林纸本作品
Liu Bailin’s paper works
刘柏林纸本作品
Liu Bailin’s paper works
刘柏林纸本作品
Liu Bailin’s paper works
刘柏林纸本作品
Liu Bailin’s paper works
【策评Review】
在刘柏林的作品里，你可能会看到埃舍尔的影子。但相比于埃舍尔画作的低艺术性，刘柏林的作品则更加充满艺术感染力。
In Liu Bailin’s works, you may see the shadow of Escher. However, compared with the low artistry of Escher’s paintings, Liu Bailin’s works are more artistic.
其作品里的世界至少是五维的，出没着各种奇奇怪怪的人物和动物以及神怪。它们通过各种渠道相互关联，抑或彼此没有关系，却能和谐共存于一个充满空间冲突的世界。
The world in his works is at least five-dimensional, with all kinds of strange characters, animals and gods and monsters. They are related to each other through various channels, or they are not related to each other, but they can coexist harmoniously in a world full of spatial conflicts.
詹明昭 Mingzhao Zhan
詹明昭 1992年生于福建泉州，2010年至今工作生活于北京。个展：2018年，简灵—詹明昭个展，北京上苑艺术馆。
Mingzhao Zhan Born in Quanzhou, Fujian Province in 1992. He has worked and lived in Beijing since 2010. Solo exhibition: in 2018, Simple soul-Zhan Mingzhao solo exhibition in Beijing Shangyuan Art Museum.
《B612》 布面丙烯，60x80cm，2022年
B612 cloth acrylic
【策评Review】
詹明昭的作品总是会出现云的符号。这回云出现在了宇航员的脸上，抑或那就是他的脸。宇航员的头顶上有鱼在飘，远处还隐约可见几颗星球。宇航员手中的玻璃罩里有一朵花，如同他头套里的云。这些事物共同构成了一个新世界，即无法喻言的神秘之境。
The symbol of cloud always appears in Zhan Mingzhao’s works. This time the cloud appeared on the astronaut’s face, or that was his face. There are fish floating above the astronauts’ heads, and several stars are faintly visible in the distance. There is a flower in the glass cover in the astronauts’ hands, like a cloud in his headgear. These things together constitute a new world, that is, an unspeakable mysterious realm.
Josh Gibbs 乔治·吉布斯
Josh Gibbs Graduating from Leeds Art University in 2011, Josh Gibbs is a multidisciplinary artist from England who currently works with the medium of collage, digital photomontage blended with creative zine writing. He has undertaken art residencies and taken part in exhibitions across England, Ireland, Spain, Lithuania, USA and China.
乔什·吉布斯 2011年毕业于利兹艺术大学，是一名来自英国的多学科艺术家，目前以拼贴、数字照片和创造性写作相结合的方式工作。他曾在英国、爱尔兰、西班牙、立陶宛、美国和中国做艺术驻留并参加展览。
【作者阐释 Author’s explanation】
Traversing cities and the recollection of such experiences are essentially a reflection of collage both in terms of its creation and spectacle. One tries to gain their awareness of a city’s infrastructural network, attempting to amass practical objective knowledge in order to function, while simultaneously immersing themselves in its more mysterious, anamorphic lore formed by nature and collective subjective consciousness. In this complex and perplexing development, perception and recollection of a city as a series of images inevitably becomes fragmented and so in order to reflect and consolidate something close to a full vision one must engage in a piecing together process using fractured memories and vignetted snapshots.
穿越城市和对这些经历的回忆本质上是拼贴创作和景观的反映。人们试图获得对城市基础设施网络的认识，试图积累实用的客观知识以发挥作用，同时将自己沉浸在由自然和集体主观意识形成的更神秘、变形的知识中。在这一复杂的发展过程中，作为一系列图像的城市感知和回忆不可避免地变得支离破碎。因此为了反映和巩固接近完整视觉的东西，必须使用断裂的记忆和虚幻的快照来进行拼贴。
Huashiying Pockets 3 , collage on soft lens card, 38x38cm, 2020
《化石营袋子》之三 软镜片卡上的拼贴
Huashiying Pockets 7 , collage on soft lens card, 38x38cm, 2020
《化石营袋子》之七 软镜片卡上的拼贴
Huashiying Pockets 8 , collage on soft lens card, 38x38cm, 2020
《化石营袋子》之八 软镜片卡上的拼贴
【策评Review】
Josh·Gibbs’ work is reminiscent of a Hugo prize winning science fiction "folding Beijing". It is another kind of folding to collage a corner or fragment of Beijing on the traditional circular picture of China. This is a folding of daily time and space, reminiscent of the dream maker played by Eliot page in the movie inception. And this is also creating a new time and space, that is, Beijing in the heart.
乔治·吉布斯的作品令人联想到一部获得过雨果奖的科幻小说《折叠北京》。其在中国传统之圆形画面上，拼贴出北京的城市一角或片段，也算是另一种折叠。这是对于日常时空的折叠，令人想起电影《盗梦空间》里艾略特·佩吉饰演的造梦师施展绝技的情景。而这也是在创造新的时空，即心中的北京。
韦少东 Shaodong Wei
韦少东 1971年生于中国广西，1996年毕业于广西艺术学院中国画专业，1999年结业于首都师范大学美术系油画助教研修班，2020年中央美术学院访问学者。
Shaodong Wei Born in 1971 in Guangxi, China. He graduated from Guangxi Academy of art in 1996, majored in Chinese painting, and graduated from the oil painting assistant seminar of the Department of fine arts of Capital Normal University in 1999. He was a visiting scholar of the Central Academy of Fine Arts in 2020.
韦少东纸本水墨作品
Wei Shaodong’s paper ink works
韦少东纸本水墨作品
Wei Shaodong’s paper ink works
韦少东纸本水墨作品
Wei Shaodong’s paper ink works
韦少东纸本水墨作品
Wei Shaodong’s paper ink works
【策评Review】
韦少东将山水做了变形处理，使之与几何图形共存。这样一来，就会出现空间上的奇观。波涛被阻止在线段边缘，山峰却从平面崛起。新的构成一点点铺展，碾碎了惯有的中国画套路。
Wei Shaodong deformed the landscape to make it coexist with geometric figures. In this way, there will be wonders in space. The waves are stopped at the edge of the line segment, but the mountains rise from the plane. The new composition spreads out little by little, crushing the traditional Chinese painting routine.
炫名 Xuanming
炫名 创立密码主义艺术形式。将数学与密码融入作品中，编织出探索科技、社会、人生与哲学的一座座迷宫。至今已在国内外举办过七次个展及其它艺术活动。
Xuanming Create the art form of Cypherlism. Mathematics and cypher are integrated into the works to weave mazes to explore technology, society, life and philosophy. So far, it has held 7 solo exhibitions and other art activities at home and abroad.
《禁欲》 60x80cm，2019.12.27
The forbidden desire
《规则与监控》 50x50cm，2020.08.11
Order and monitor
《差异与融合》 50x50cm，2020.08.22
Differ and merge
【策评Review】
炫名的密码主义作品令观众感到神秘的同时，也给他们带来某种震撼的力量。也正是数学所产生的暗喻，使其具有了超越既有时空的意味。
Xuanming’s works of Cypherlism not only makes the audience feel mysterious, but also brings them some shocking power. It is also the metaphor produced by mathematics that makes it have the meaning of transcending the existing space-time.
王小冬 Xiaodong Wang
王小冬 中国美院油画系一工研修班，南京艺术学院美术系油画专业，现生活工作于北京。个展：黑夜给了我黑色的眼睛（上苑艺术馆）。
Xiaodong Wang First seminar in the oil painting Department of the Chinese Academy of Fine Arts, majoring in oil painting in the Department of fine arts of Nanjing Academy of art. He now lives and works in Beijing. Solo exhibition: dark night gives me black eyes (Shangyuan Art Museum).
《远方》 布面油画，60x50cm，2021年
Far away cloth oil painting
【策评Review】
在这充满隐喻的画面上，头脑中的蓝天与花儿才是新世界，这也正是一般人对于平淡现实的反应。
In this metaphorical picture, the blue sky and flowers in the mind are the new world, which is also the reaction of ordinary people to plain reality.
郑志岩 Zhiyan Zheng
郑志岩 1969年生于辽宁省鞍山市。2001年毕业于东北师范大学美术系油画专业，2006年结业于中国艺术研究院油画创作研究生课程班。现居北京。
Zhiyan Zheng Born in Anshan, Liaoning Province in 1969. He graduated from the Department of fine arts of Northeast Normal University in 2001, majored in oil painting, and graduated from the graduate course of oil painting creation of China Academy of art in 2006. He now lives in Beijing.
郑志岩作品
Zheng Zhiyan’s works
【策评Review】
破旧瓷缸年代感十足，承载着过去中国的记忆。一个人在游泳，好像很吃力。其后是条龙，从水中腾起。联系瓷缸上的文字“发展体育运动，增强人民体质”，就可以明白那一缸子水其实是梦境，即是构成了一种关于梦的超结构。
The old porcelain jar is full of sense of time, bearing the memory of China in the past. It seems hard to swim alone. Then there is a dragon rising from the water. In connection with the words "develop sports and enhance people’s physique" on the porcelain jar, we can understand that the jar of water is actually a dream, that is, it constitutes a superstructure about dreams.
达达•尚 Dada·Shang
达达·尚 作家，摄影师，现居北美。
Dada·Shang Writer and photographer，lives in North America.
《镜中阁》 摄影作品
Pavilion in the mirror photography
【画评Review】此作以变虚的镜头制造出重影效果，于是出离了原来的境地。
This works creates a ghosting effect with a blurred lens, so it leaves the original situation.
《网》 摄影作品
Net photography
【画评Review】沾了露水的蛛网上挂着的仿佛是各种姿态的人，他们正在横越。
Hanging on the dewy cobwebs seemed to be people of various postures, who were crossing.
【策评Review】
达达·尚的摄影作品总是能在熟视无睹中发现一些小确幸的细节。而以上两幅作品则不再是小确幸，而是对惯常性的诘问，亦即是否在虚影或虚网中能窥见那个伦敦国王十字车站内的9又3/4站台。
Dada·Shang’s photography works can always find some small lucky details in turning a blind eye. The above two works are no longer small indeed lucky, but a question of habitualness, that is, whether the platform 9 and 3/4 in King’s Cross station in London can be seen in the virtual shadow or virtual network.
王毅 Yi Wang
王毅 1987年生于四川青神，2016年四川大学艺术学院艺术硕士。
Yi Wang Born in Qingshen, Sichuan Province in 1987, and received a master of Arts from the art college of Sichuan University in 2016.
【作者阐释 Author’s explanation】
一些东西沉寂着，莫名的来，莫名的走，似幽灵，似天使，蛰伏于角落，洞察于苍穹，在灯火前隐退，在寂静中自的。这样的存在常被人漠视，却总令我着迷。
Some things are silent, inexplicably come, inexplicably go, like ghosts, like angels, dormant in the corner, insight into the sky, retreat in front of the lights, and self in silence. Such existence is often ignored, but it always fascinates me.
《马拉之手》No.1 布面综合材料，88x65cm，2015年
"Mala’s hand"No.1 cloth comprehensive material
【策评Review】
马拉之手是人手还是动物的爪，已经不重要了。重要的是，这只手突破了画面，呈现出一种在时空中不断进化的冲动。
It doesn’t matter whether the Mala’s hand is a human hand or an animal’s claw. What is important is that this hand breaks through the picture and presents an impulse that continues to evolve in time and space.
王俊鹏 Junpeng Wang
王俊鹏 2018年上苑艺术馆驻留诗人。
Junpeng Wang Resident poet of Shangyuan Art Museum in 2018.
王俊鹏诗歌作品
Wang Junpeng’s poetry works
王俊鹏诗歌作品
Wang Junpeng’s poetry works
【策评Review】
王俊鹏的立体诗歌是对固有诗体的突破，试图建立某种新的时空关系，既针对读者，也针对内容本身。
Wang Junpeng’s three-dimensional poetry is a breakthrough in the inherent poetic style, trying to establish a new relationship between time and space, not only for readers, but also for the content itself.
弑骨 Shigu
弑骨 本名李明，1982年生，哈尔滨人。刀名弑骨，在宋庄创办“弑骨工作室”。
独立艺术家，从事架上绘画创作和手工雕刻多年。现旅居加拿大。
Shigu Real name is Li Ming. He was born in Harbin in 1982. The name of the knife is Shigu, and the " Shigu studio" was founded in Songzhuang. Independent artist, engaged in easel painting and hand carving for many years. Currently living in Canada.
弑骨作品
Shigu’s works
【策评Review】
弑骨的作品看似是堆砌色块，实则是对空间的扩展。那一个个几何块状物集聚在一起，仿佛是时空在生长。
The works of Shigu seems to be a pile of color blocks, but it is actually an expansion of space. The geometric blocks gather together, as if space-time are growing.
赵莹 Ying Zhao
赵莹 1980年生于河北省唐山市，2003年毕业于河北师范大学美术学院国画系，现任教于华北理工大学艺术学院绘画系。
Ying Zhao Born in Tangshan, Hebei Province in 1980. He graduated from the Department of Chinese painting of the fine arts Academy of Hebei Normal University in 2003. He currently teaches in the Department of painting of the artistic Academy of North China Polytechnic University.
赵莹水墨作品
Zhao Ying’s ink works
【策评Review】
赵莹的画作与弑骨的作品有异曲同工之妙。琳琅满目间，是一本本书籍的姿态，也是一个个假想的书中世界。
Zhao Ying’s paintings are similar to those of bone killing. There are a variety of books, as well as imaginary Book Worlds.
叶军 Jun Ye
叶军 1974年生于北京，1997年毕业于天津美术学院版画系，获学士学位。2017年毕业于北京大学光华管理学院，获硕士学位。二十年来致力于东方深度精神当代表现形式的视觉研究与创作。居住于北京。
Jun Ye Born in Beijing in 1974. He graduated from the printmaking Department of Tianjin Academy of fine arts with a bachelor’s degree in 1997. He graduated from Guanghua Management Academy of Peking University with a master’s degree in 2017. For 20 years, he has been committed to the visual research and creation of contemporary forms of expression of the Oriental deep spirit. Live in Beijing.
《美格丽》 动画
Megeli animation
【策评Review】
叶军的动画是在不同层次画作上变幻，既记录下创作过程，又呈现诡异的深层结构。只以一句“美格丽”为伴奏，使得深层结构更为诡谲，从而迸发出超结构的生命力。
Ye Jun’s animation changes on different levels of paintings, which not only records the creative process, but also presents a strange deep structure. With only one "megeli" as the accompaniment, the deep structure is more treacherous, thus bursting out the vitality of the superstructure.
苏中菲 Zhongfei Su
苏中菲 自由画家。1986年毕业于安徽师范大学音乐系，2006年就读北京大学EMBA哲学研修班，2019为法国书法家协会成员。现居住北京。
Zhongfei Su Freelance painter. Graduated from the Music Department of Anhui Normal University in 1986, attended the EMBA philosophy seminar of Peking University in 2006, and became a member of the French Calligrapher Association in 2019. Now living in Beijing.
《命运交响曲》之一 纸本水墨丙烯，70x140cm，2022年
"Symphony of fate"01 paper ink acrylic
【画评Review】此作以音乐入画，明显的曲谱符号变换成花带，音乐性与色彩调性共振。显然，此作有将二维空间拉入一维的倾向，这是挣脱日常时空的又一个探索方向。
This works is painted with music, and the obvious musical symbols are transformed into flower bands. The musicality and color tonality resonate. Obviously, this work tends to pull two-dimensional space into one-dimensional space, which is another exploration direction to break away from daily space-time.
《命运交响曲》之二 纸本水墨丙烯，70x140cm，2022年
"Symphony of fate"02 paper ink acrylic
《变奏曲》 纸本水墨丙烯，70x140cm，2022年
Variations paper ink acrylic
《昇》 纸本水墨，90x180cm，2021年
Ascend paper ink
【画评Review】可以看到若干类似水泡的物体在移动，若把它们看成是一个个小的封闭宇宙也无不可。
You can see several bubble like objects moving. If you think of them as small closed universes, you can’t help it.
【策评Review】
苏中菲的画作明显带有音乐性，是对超时空结构的新探索，即以音乐性统摄画面，从而造成某种调性。这样的世界当然有别于我们身处的惯性系，而是一个具有一维调性的时空，是一个类似经由弦的振动而产生的宇宙。
Su Zhongfei’s paintings are obviously musical, which is a new exploration of the super space-time structure, that is, to control the picture with musicality, thereby creating a certain tonality. Such a world is certainly different from the inertial system we are in, but a space-time with one-dimensional tonality, which is similar to the universe generated by the vibration of strings.
刘东路 Donglu Liu
刘东路 1972年生于广西柳州，1994年毕业于广西艺术学院美术系，1997至1999年就读于天津美术学院油画系助教研修班。现工作、生活于北京、广西。
Donglu Liu Born in Liuzhou, Guangxi in 1972. He graduated from the Department of fine arts of Guangxi Academy of art in 1994 and studied in the teaching assistant seminar of Oil Painting Department of Tianjin Academy of Fine Arts from 1997 to 1999. Now he works and lives in Beijing and Guangxi.
《从荔子碑到区块链》 综合材料装置，尺寸可变，2022年
From Litchi monument to blockchain comprehensive material device, variable size
《游鱼乐》综合材料装置，尺寸可变，2021年
Happy of swimming fish ，comprehensive material device, variable size
【策评Review】
刘东路的黑色调装置系统由多件材料单元组成，各单元之间相互联系，互为注释，即互文。装置要占据一定空间，也就具有了空间乃至时间的可扩展性。就如宇宙之膨胀，装置系统也可以向着四周扩张，向着山河树林扩散，而其单元之间的关系不变。
The black tone device system of Liudong road is composed of multiple material units, which are interconnected and annotated, that is, intertextuality. The device needs to occupy a certain space, which means it has the scalability of space and even time. Just like the expansion of the universe, the device system can also expand around and spread towards mountains, rivers and forests, while the relationship between its units remains unchanged.
莫籽 Mos
莫籽 银河系狂想症患者，独立艺术家。
Mos Galactic paranoid patients, independent artist.
《CaOh》01 数码绘画，2022年
"CaOh"01 digital painting
《CaOh》02 数码绘画，2022年
"CaOh"02 digital painting
【策评Review】
《CaOh》的画面主要由小人和可爱如半个西瓜的飞船构成。小人或孤独而坐，或怀抱一人，极其简约。飞船也是极简风格，似乎只有运行和停止两个按键，仔细再看会发现其实它也是一张人脸。可以说飞船就是小人的另一个自我。由此小人与飞船组成了一个自我封闭系统，可以遨游于任何太空或海洋。
The picture of "CaOh" is mainly composed of little people and a spaceship as cute as half a watermelon. Little people sit alone or hug one person, which is extremely simple. The spaceship is also a minimalist style. It seems that there are only two buttons: run and stop. If you look carefully, you will find that it is also a face. It can be said that the spacecraft is another ego of the little man. Thus, the villain and the spacecraft form a self closed system, which can travel in any space or ocean.
琼芯 Qiongxin
琼芯 独立影视制作人。2015年毕业于中国电影集团进修学院编剧导演专业。
Qiongxin Independent film and television producer. In 2015, she graduated from China Film Group advanced studies college, majoring in screenwriting & directing.
Soul film exhibition poster
《灵魂影展》 电影短片
Soul film exhibition short film
【策评Review】
短片《灵魂影展》讲述了一个凄婉的爱情故事，男女主人公阴阳两隔，或居于不同的平行宇宙。他们之间唯一的联系便是那只琥珀。琥珀仿佛是两个宇宙的枢纽，抑或有两个处于量子纠缠态的琥珀。这，才是本片的关键。
The short film "soul film exhibition" tells a sad love story. The hero and heroine are separated by Yin and Yang, or live in different parallel universes. The only connection between them is the amber. Amber seems to be the hub of two universes, or there are two amber in quantum entanglement.This is the key of this film.
蓝京华 Jinghua Lan
蓝京华 1970年出生，毕业于华南师范大学，结业于中央美术学院。自由职业艺术家，现居北京。
Jinghua Lan Born in 1970, graduated from South China Normal University and graduated from the Central Academy of Fine Arts. Freelance artist, now living in Beijing.
《锈时代》之一 布面丙烯，250x200cm，2016年
"Rust age"01 cloth acrylic
《锈时代》之二 布面丙烯，250x200cm，2016年
"Rust age"02 cloth acrylic
【策评Review】
蓝京华的《锈时代》是将时间性引入画面，正如苏中菲在其画作中引入了音乐性。无论内容如何，锈本身就是一个新维度。观众由此获得新的启示，评论者也可找到新视角。而对于超结构来说，这样的锈维度恰恰是一个新的生长点。
Lan Jinghua’s "Rust age" introduces temporality into the picture, just as Su Zhongfei introduced musicality into his paintings. No matter what the content is, rust itself is a new dimension. The audience gets new enlightenment from this, and commentators can also find new perspectives. For superstructure, such a rust dimension is just a new growth point.
罗应龙 Yinglong Luo
罗应龙 1974年生于四川省。1995年毕业于四川美术学院油画系。现为职业画家。
Yinglong Luo Born in Sichuan Province in 1974. Graduated from the oil painting Department of Sichuan Academy of Fine Arts in 1995. He is now a professional painter.
《境》 80x60cm
Territory
《鱼》 60x80 cm
Fish
【策评Review】
罗应龙的作品除去有着炫目的色彩和怪异的构图，还有着无法言说的张力。这张力其实是一种生命力，即是从色彩与构图中迸发出来，又降落于观者心中。生命力本身就是要不断突破自我，突破既有时空，冲向更广阔的天地。这便是宇宙大爆炸的缘起。
Apart from dazzling colors and weird composition, Luo Yinglong’s works also have unspeakable tension. This tension is actually a kind of vitality, that is, it bursts out of color and composition, and then falls into the viewer’s heart. Vitality itself is to constantly break through ourselves, break through the existing space and time, and rush to a broader world. This is the origin of the big blast of universe.
秦姣姣 Jiaojiao Qin
秦姣姣 1984年出生于湖北浠水，2007年毕业于佳木斯大学美术学院，2007至2010年生活于798艺术区和宋庄，2019年、2021年作为驻留艺术家入驻上苑艺术馆并参与国际创作计划，2021年作为签约艺术家入驻Artand艺术品交易平台。现居广州。
Jiaojiao Qin Born in Xishui, Hubei Province in 1984 and graduated from the Academy of fine arts of Jiamusi University in 2007. From 2007 to 2010, she lived in 798 Art District and Songzhuang. In 2019 and 2021, she entered Shangyuan Art Museum as a resident artist and participated in the international creation program. In 2021, she entered art and art trading platform as a contracted artist. Now lives in Guangzhou.
【作者阐释 Author’s explanation】
“体向”这个专属于我的绘画主题一直存有我的野心。我相信身体里的细胞犹如千军万马，在生息有序中按照它们的意志组建新的人体构造（把它叫做灵魂构造也未尝不可）。它们建造了各式各样的桥梁、通道、储存间，让神经末梢随意增长并自由释放，让现实中拥堵不堪的我们回望自己那不足两平米的身体，从而跟着身体的去向进入另一个自我世界。我们不再焦虑，慢慢放松，不再害怕失去和消亡，随着鱼群般的细胞们呼吸着“自在”的感觉。我们不再感觉无能为力，而是跟着细胞通达各个角落，抚平那些淤死的部分。大多数时候，我们毫无愧疚地压榨着自己的身体。这一刻，我们可能要停下和外在世界发生连接动作，听身体耳语，随它去往更善意、更纯净的地方，安放那个独一无二又短暂的自我。
"Body orientation", a painting theme that belongs to me, always has my ambition. I believe that the cells in the body are like thousands of troops, which form a new human structure according to their will in the order of life (it’s not impossible to call it the soul structure). They have built various bridges, channels and storage rooms, allowing nerve endings to grow and release freely, allowing us to look back at our less than two square meters of body in reality, so as to follow the direction of our body into another self world. We no longer worry, slowly relax, no longer afraid of loss and extinction, and breathe a sense of "freedom" with fish like cells. We no longer feel powerless, but follow the cells to reach every corner and smooth those silted parts. Most of the time, we squeeze our bodies without guilt. At this moment, we may have to stop connecting with the external world, listen to the body whisper, and follow it to a more benign and purer place to place the unique and short-lived self.
《体向》系列之一
"Body orientation" 01
《体向》系列之二
"Body orientation" 02
《体向》系列之三
"Body orientation" 03
【策评Review】
秦姣姣的《体向》系列是将纠结的各种体揉在一起，使其于彼此间产生交叉、勾连、纵横和覆盖。这样一来，画面中的二维平面及其所表现的三维空间看上去就极度扭曲起来，也就呈现出要挤出固有维度的意向。
Qin Jiaojiao’s "body direction" series is to knead all kinds of entangled bodies together, so that they intersect, connect, crisscross and cover each other. In this way, the two-dimensional plane in the picture and the three-dimensional space it represents look extremely distorted, which shows the intention to squeeze out the inherent dimension.
凌惠华 Huihua Ling
凌惠华 1987年生于江苏沭阳。2011年毕业于四川美术学院版画系，获学士学位。现为自由艺术家，居于北京。
Huihua Ling Born in Shuyang, Jiangsu Province in 1987. Graduated from the print Department of Sichuan Academy of Fine Arts with a bachelor’s degree in 2011. Now a freelance artist living in Beijing.
《X悖论》 布面油画，80x90cm，2021年
X paradox cloth oil painting
《四面楚歌》 布面油画，165x165cm，2012年
Be besieged on all sides cloth oil painting
《无限的有限局限》06 布面油画，120x100cm，2017年
"Infinite finite limitations" 06 cloth oil painting
《一厘米》03 布面油画，160x120cm，2015-2016年
"One centimeter" 03 cloth oil painting
《哲学家》之四 布面油画，80x110cm，2011-2012年
"Philosopher" 04 cloth oil painting
《使者2》 布面油画，100x100cm，2020年
"Messenger2" cloth oil painting
【策评Review】
凌惠华的作品与秦姣姣的“体向”乃至罗应龙的画作类似的地方是，都在用色块及体面的纠合来表现着什么。而他的不同之处在于，不仅更加简洁明快，更是具有思辨力。显然，他受到过蒙德里安乃至米罗的影响或启发，但他摆脱了米罗的可爱风和蒙德里安的格子约束，奔向一个开放的宇宙。
Ling Huihua’s works are similar to Qin Jiaojiao’s "body orientation" and even Luo Yinglong’s paintings in that they are using color patches and decent combinations to show what. The difference is that he is not only more concise and lively, but also speculative. Obviously, he was influenced or inspired by Mondrian and even Miro, but he got rid of Miro’s lovely wind and Mondrian’s lattice constraints and rushed to an open universe.
这个开放的宇宙已经不能用维度来描述了，而要用一种生成原理或法则。即使是二维平面，一样可以体现出这样的原理和法则，于是就能从中生出超十维来也未可知。
This open universe can no longer be described by dimensions, but by a generative principle or law. Even a two-dimensional plane can embody such principles and rules, so it is possible that super ten-dimensions can be generated from it.
周日升 Risheng Zhou
周日升 半吊子农民，半吊子艺术家，半吊子玄学书生。
Risheng Zhou Half farmer, half artist, half metaphysical scholar.
周日升手机绘画作品
mobile phone painting of Zhou Risheng
周日升手机绘画作品
mobile phone painting of Zhou Risheng
周日升手机绘画作品
mobile phone painting of Zhou Risheng
【策评Review】
在家务农的周日升闲暇时，用手机创作了充满“异域风情”的画作。这里的“异域风情”，当然是指与土地相对的太空。其实在火星上，一样有未开垦的农田，科幻电影《火星救援》讲的就是在火星上种土豆的故事。而周日升则是在手机上种火星。
In the leisure time of the household farming, Zhou Risheng created paintings full of "exotic customs" with his mobile phone. The "exotic style" here, of course, refers to the space opposite the land. In fact, on Mars, there are also uncultivated farmland. The science fiction movie "Mars rescue" is about planting potatoes on Mars. Zhou Risheng is planting Mars on mobile phone.
Goran STAKIC 戈兰·斯塔凯克
Goran STAKIC Born in 1968 in Serbia. He had many solo and group exhibitions: Belgrade,New York,Paris,Beijing ,Binzhou. His works is about feeling of peacefulness which we have when we are by water landscapes.
戈兰·斯塔凯克 1968年生于塞尔维亚。在贝尔格莱德、纽约、巴黎、北京、滨州等地举办了个展或群展。其参展作品表现的是水边看风景时所感受到的宁静。
【作者阐释 Author’s explanation】
ART WORK RECYCLING. The Painting ’’A WATER TIGER’S SCANNING’’ (2022), obtained by the recycling of the painting ’’Waterscape-THE FEELING OF PEACEFULNESS’’ (2007).
这是一次对作品的重新利用。《水老虎的扫描》（2022）是通过对《水景——宁静的感觉》（2007）的修改而完成的。
The shortening of duration of attractiveness of many other things also applies to artwork. There exists a possibility to leave the artwork the same, to remake it or recycle it.
许多事物的吸引力变弱也适用于艺术作品。通过重新制作或修改再造，有可能使作品保持原来的样子。
Recycling, in addition to changing the name of the work, also refers to recognizing and emphasizing new values of the painting in order to change the perceptions of observers.The work visually remains the same.
对艺术作品的重新利用，除了改变作品名称外，还可以认识和强调画作的新价值，以改变观察者的观念。而作品在视觉上可以保持不变。
WATER TIGER SCANNING , oil on canvas, 140x100cm, 2022
《水老虎的扫描》 布面油画
【策评Review】
斯塔凯克的画作除去让人觉得宁静外，还能感受到无数个十字迎面而来。最熟悉的景象往往蕴含着神秘莫测的内涵，在闪烁不已的瞬间打动人心。
In addition to making people feel calm, STAKLC’s painting can also feel countless crosses coming face-to-face. The most familiar scenes often contain mysterious connotations, which move people’s hearts in flashing moments.
Endika Ruiz 恩迪卡·鲁伊斯
Endika Ruiz (Basque Country, Spain 1995) is a painting artist. He has studied Fine Arts Degree and Mastered Painting Degree at the University of Basque Country (UPV/EHU), which gives him the opportunity to focus on this medium, while enjoying art residency programs such as the “EYE OF THE WORLD Artistic and Cultural Exchange Scholarship, DISCOVERY OF CHONGQING” at SiChuan Fine Arts Institute, China (2019). The material he uses to make and produce a result is Drawing, Painting and Paper Collage. He currently lives in Bilbao, working his own creative career and production in his personal studio.
恩迪卡·鲁伊斯 1995年生于西班牙巴斯克郡，是一位绘画艺术家。他在巴斯克大学攻读美术专业并获绘画硕士学位。这使他有机会专注于这一媒介，同时在中国四川美术学院（2019年）享受艺术驻留计划，包括“世界艺术与文化交流之眼奖学金——发现重庆”。他的艺术创作方式包括素描、绘画和纸拼贴。他目前住在毕尔巴鄂，在其个人工作室不懈创作。
恩迪卡·鲁伊斯作品
Endika Ruiz’s works
【策评Review】
Ruiz’s Collage is a little like George Gibbs, but more wild. Colorful, Chinese characters looming. It can be seen from it that it is imbued with Chinese culture, and the Chinese characters have been deformed, making it more like the cascading buildings in the city, which has a contemporary character and a sense of superstructure.
鲁伊斯的拼贴作品和乔治·吉布斯有些像，但更加狂野。色彩斑斓，汉字若隐若现。从中可以看出其受中国文化濡染，又对汉字做了变形处理，使其更像城市里层层叠叠的建筑物，也就有了当代性，具有超结构意味。
曲小哼 Xiaoheng Qu
曲小哼 生于山东青岛。自由插画师、艺术创作者。
Xiaoheng Qu Born in Qingdao, Shandong Province. She is a freelance illustrator and art creator.
《迷宫》 色粉，38x54cm
Labyrinth toner
【策评Review】
迷宫里的色彩如此迷人，却难掩其中旖旎多姿之造型。它们或仿生，或抽象，或重复，或隐含。虽然只是不足四分之一平米的画面，却能造出无穷的组合，就像六种基本粒子夸克组成了我们所见的天下。
The colors in the maze are so charming, but it’s hard to hide the charming shapes. They are either bionic, abstract, repetitive, or implicit. Although it is only less than a quarter of a square meter, it can create infinite combinations, just like the six basic particle quarks that make up the world we see.
程毅 Yi Cheng
程毅 1981年生于四川达州。2009年毕业于四川美术学院油画系，获硕士学位。致公党党员，致公党成都市委会海外联络委员会委员。中国美协会员，四川美协会员，四川致公画院副秘书长，四川当代油画院专职艺术家，四川油画学会会员。
Yi Cheng Born in Dazhou, Sichuan in 1981. He graduated from the oil painting Department of Sichuan Academy of Fine Arts in 2009 with a master’s degree. Member of the Zhigong party, member of the overseas liaison committee of the Chengdu Municipal Committee of the Zhigong party. Member of China Artists Association, member of Sichuan Artists Association, Deputy Secretary General of Sichuan Zhigong painting Academy, full-time artist of Sichuan contemporary oil painting Academy, member of Sichuan oil painting society.
【作者阐释 Author’s explanation】
日常言语是我们经验现实的一部分。当从日常言语中脱离出来，进入对纯粹言语体悟的创造之中，我们就会有一种言语冲动。一旦这个冲动达到一定地步，就进入语言这个自由自在的体系之中。它无限纯粹，会迫使我们对日常言语的现实进行审视和检验。艺术家如果能沉入这个状态，就会创造一个悟道和冥想的语言形态，追求言不尽意之境界。自由者，有意与无意之间也！故大象无形。
Daily speech is a part of our experience reality. When we break away from daily speech and enter the creation of the perception of pure speech, we will have a speech impulse. Once this impulse reaches a certain point, we will enter the free system of language. It is infinitely pure and will force us to examine and test the reality of daily speech. If an artist can sink into this state, he will create a language form of enlightenment and meditation, pursue the realm in which words cannot express all one intends to say. Freedom, between intentional and unintentional! So great form is beyond shape.
《无相之似象》020618 布面绘画，150x200cm，2017-2018年
"Similitude of invisibility" 020618 cloth painting
《无相之似象》030618 布面绘画，150x200cm，2017-2018年
"Similitude of invisibility" 030618 cloth painting
《无相之似象》20200828 纸面绘画，80x27cm，2020年
"Similitude of invisibility" 20200828 paper painting
《无相之似象》20200829 纸面绘画，80x55cm，2020年
"Similitude of invisibility" 20200829 paper painting
【策评Review】
程毅的《无相之似象》是无数细弦的衍生之象，这些弦也可以说只有一根。这与超弦理论颇为相似，却是弦由心生，即以一弦生万物。
Cheng Yi’s "Similitude of invisibility" is the derivative image of countless thin strings, which can also be said to have only one. This is quite similar to the superstring theory, but the string is generated by the heart, that is, everything is generated by one string.
秦韦赛 Weisai Qin
秦韦赛 1989年出生于河北石家庄，2008至2013年本科就读于天津美术学院雕塑系，2014至2015年师从于著名雕塑家田世信，2015至2018年研究生就读于天津美术学院雕塑系。
Weisai Qin Born in Shijiazhuang, Hebei Province in 1989. From 2008 to 2013, he studied in the Sculpture Department of Tianjin Academy of fine arts as a bachelor. From 2014 to 2015, he studied under the famous sculptor Tian Shixin. From 2015 to 2018, he studied in the Sculpture Department of Tianjin Academy of Fine Arts as a graduate student.
【作者阐释 Author’s explanation】
柯布西耶在《走向新建筑》中提出“房屋是居住的机器”的思想。在这疫情肆虐的时代，我们身居至高的精神之屋，降临并监视着世界各个角落。角色随时切换，与世界产生似有似无的联系。此雕塑借助虚拟网络世界的丰富，就如我们每天用手指在手机屏幕上不停滑动、翻页，精神不停地游离、判断、沉溺。这些真与我们有关吗？我们又该如何处理现实与虚幻的关系呢？
Corbusier put forward the idea that "houses are living machines" in 《Towards New Buildings》. In this era of rampant epidemic, we live in the supreme house of spirit, coming and monitoring all corners of the world. Roles change at any time, and have a seemingly indistinct connection with the world. With the help of the richness of the virtual network world, this sculpture is just like our fingers constantly sliding and turning pages on the mobile phone screen every day, and our spirit keeps drifting, judging and addicting. Are these really related to us? How should we deal with the relationship between reality and illusion?
《降临》 数字雕塑，材质可变，尺寸可变
Coming ，digital sculpture , variable material and size
 
《降临》 数字雕塑，材质可变，尺寸可变
Coming , digital sculpture , variable material and size
《降临》 视频效果
Coming , video effect
【策评Review】
秦韦赛的数字雕塑颇有后现代风，即实用又拉风。从实用性看，可以居住与飞行。从拉风的角度分析，既可以把它理解成外星人的飞船，也可说是独立心灵的外化。
Qin weisai’s digital sculptures are quite postmodern, both practical and stylish. From the practical point of view, it can live and fly. From the perspective of Rafale, it can be understood as an alien spacecraft, but also can be said to be the externalization of an independent mind.
大鸟 Bigbird
大鸟 1981年生，山西文水人。毕业于山西师范大学美术教育专业，从事绘画、行为、摄影、诗歌创作。
Bigbird Born in Wenshui, Shanxi Province in 1981. Graduated from Shanxi Normal University, majoring in art education, engaged in creation of painting, behavior, photography and poetry.
大鸟数字作品
Bigbird digital works
【策评Review】
大鸟的数字作品与鲁伊斯的拼贴遥相呼应，都是对当代性的阐释，只是大鸟这边用了九宫格的传统方式。其实，内容是什么并不重要，是随机性的选择。而这个九宫格才是作者看待事物的方式与结构。
Bigbird’s digital works echo Ruiz’s collage from afar, both of which are interpretations of modernity, but Bigbird uses the traditional way of Nine-squares. In fact, it doesn’t matter what the content is, it’s a random choice. And the Nine-squares is the author’s way and structure of looking at things.
朱鲲 Kun Zhu
朱鲲（朱连芳） 1961年生于吉林省长春市。1984年毕业于长春教育学院。国家一级美术师，唯象画派创始人，广厦艺术街入驻艺术家，中国艺术平台艺术顾问，国际抽象艺术家联盟艺术顾问。
Kun Zhu(Lianfang Zhu) Born in Changchun, Jilin Province in 1961. Graduated from Changchun Institute of Education in 1984. He is a national first-class artist, the founder of the phenomenological school, artist stationed in Guangxia art street, art consultant of the Chinese art platform, art consultant of the International Union of abstract artists.
朱鲲油画作品
Zhu Kun’s oil painting
朱鲲油画作品
Zhu Kun’s oil painting
【策评Review】
朱鲲的油画是大写意，也是大块头。以其雄浑的魄力，肆意扭曲、撕裂、毁伤、刺破居于画面上的虚空，向着无限的虚无挺进。
Zhu Kun’s oil paintings are freehand brushwork and large. With its forceful courage, it wantonly distorts, tears, destroys and pierces the void on the screen, and advances towards the infinite void.
王令怡 Lingyi Wang
王令怡 1989年出生，词曲创作人、诗人、歌者。中国音乐家协会流行音乐学会会员，中国诗歌学会会员，中国抽象艺术联盟盟员。毕业于北京外国语大学。获颁中国流行音乐专业能力高级认证、中央音乐学院全国音乐教师专业水平认证高级。
Lingyi Wang Born in 1989, songwriter, poet and singer. She is a member of the Pop Music Society of the Chinese Musicians Association, a member of the Poetry Institute of China, and an ally of the China Abstract Art Union. She graduated from Beijing Foreign Studies University. She was awarded the advanced certification of professional ability of Chinese pop music and the national advanced certification of professional level of music teachers of the Central Conservatory of Music.
【作者阐释 Author’s explanation】
用视觉建构声音，以听觉解构色彩，将抽象主义绘画与人性心灵感知融为一体。这源于我在心理学领域的探索，将孤独、安静、掩饰、混乱等各种内在情感作为探讨的主题。用如同音阶和旋律一般的象征符号，用电脑数字、几何矢量的绘画风格，将印象、表现、结构三者链接，将隐匿的人类内心世界用直观的色彩线条展示出来。这便蕴含了一种充满温情的精神分析，以及深层次的疗愈力量。
Construct sound with vision, deconstruct color with hearing, and integrate abstract painting with human spiritual perception. This stems from my exploration in the field of psychology, which takes loneliness, silence, concealment, chaos and other internal emotions as the theme of discussion. With symbols like scales and melodies, and with the painting style of computer numbers and geometric vectors, the impression, performance and structure are linked, and the hidden human inner world is displayed with intuitive color lines. This contains a kind of warm psychoanalysis and deep-seated healing power.
用绘画作品呈现一种宗教和哲学意味，这与音乐的灵性密切相关。如作品《宇宙之灯》是内在和外在世界二元次的对应关系，量子世界与感官功能的相互作用。
The painting works show a religious and philosophical meaning, which is closely related to the spirituality of music. For example, the works "lamp of the universe" is the binary correspondence between the internal and external world, and the interaction between the quantum world and sensory functions.
艺术各领域之间的创作相互借力，灵感丰沛，源于女性的直觉世界。在主观激情和理性精神之间保持冷静的对话，不断通过维次的提炼，将色、声、形三者合一。
The creation between various fields of art borrows from each other, and the inspiration is abundant, which comes from women’s intuitive world. Maintain a calm dialogue between subjective passion and rational spirit, and constantly integrate color, sound and form through the refinement of dimension.
《宇宙之灯》版画，80x80cm，2022年
Lamp of the universe print
【画评Review】此作自称宇宙之灯，亦可做宇宙之眼。状如光子，倏忽而行，似具有自旋态及宇称性。
It calls itself the lamp of the universe, and it can also be the eye of the universe. It looks like a photon and moves quickly, which seems to have spin state and parity.
《深蓝的世界》版画，100x100cm，2022年
World of deep blue print
《玫瑰湖》 版画，100x100cm，2022年
Rose lake print
《日月意象》版画，100x100cm，2022年
Impression of the Sun and the Moon print
《神秘之蓝》版画，150x150cm，2020年
Mysterious blue print
【策评Review】
王令怡的版画灵动而神秘，是自我心中宇宙和外在世界的相互感应、交流与共鸣，是对超结构的卓越探索。
Wang Lingyi’s prints are flexible and mysterious, which is the mutual induction, communication and resonance between the universe in self heart and the external world, and excellent exploration of superstructure.
杜志阳 Zhiyang Du
杜志阳 1973年生于湖南邵东，2006年毕业于湖南师大美术学院（硕士学位）。
Zhiyang Du Born in Shaodong, Hunan Province in 1973. Graduated from the Academy of fine arts of Hunan Normal University (Master’s degree) in 2006.
杜志阳纸本作品
Du Zhiyang’s paper works
【策评Review】
杜志阳的这件作品复杂而多义，自成一体。那些纵横交错的肢体及其它柱状物构成了一个难解的系统，充满隐喻，更富有超结构意味。
Du Zhiyang’s works is complex and polysemy, and it is self-contained. Those crisscross limbs and other pillars constitute a difficult system, full of metaphors and more superstructure.
冯开兰 Kailan Feng
冯开兰 1988年毕业于东北大学机械工程专业。2008年开始学画，2011年在国际书象学社学习，后开启书象艺术创作。
Kailan Feng Graduated from Northeast University in 1988, majoring in mechanical engineering. Began to study painting in 2008, studied in the international society of calligraphy-image in 2011, and then began to create calligraphy-image art.
《八荒厉游》 宣纸水墨丙烯，50x100cm，2020年
Eight barrens vigorous tour paper ink acrylic
《次空间》 宣纸水墨丙烯，68x68cm，2020年
Subspace paper ink acrylic
《天行健》 宣纸水墨丙烯，68x68cm，2020年
Heaven healthy runing paper ink acrylic
【策评Review】
冯开兰的书象艺术作品是碎片化空间构成，同时也体现出水墨的抒情连续性。它既是人类格子式生活的写照，又像一个个封闭而平行的宇宙。
Feng Kailan’s works of calligraphy-image art are fragmented spatial composition, at the same time also reflects the lyrical continuity of ink painting. It is not only a reflection of human lattice life, but also like a lot of closed and parallel universe.
胡人伟 Renwei Hu
胡人伟 辽宁沈阳人，电视媒体高级编辑。现为中国科普作家协会会员、中国油画写生俱乐部《写生中国》协会会员、沈阳美术家协会会员、沈阳市华侨美术家协会理事。Saatchi gallery注册艺术家，美国毕米思当代艺术中心会员。
Renwei Hu Born in Shenyang, Liaoning Province, senior editor of TV media. She is now a member of the China Science Popularization Writers Association, the China oil painting and sketching club "sketching China" association, the Shenyang Artists Association, and the director of the Shenyang overseas Chinese Artists Association. Saatchi Gallery is a registered artist and a member of the bimith Center for contemporary art in the United States.
胡人伟水墨作品
Hu Renwei’s ink works
【策评Review】
胡人伟的画作以水墨线条构造出一个异国世界，从中可以发现各具姿态的人脸和隐约的肢体，还有植物与建筑都隐藏在色彩的阴翳当中。
Hu Renwei’s paintings construct an exotic world with ink lines, from which we can find faces and faint limbs with different postures, as well as plants and buildings hidden in the shadow of color.
由于水墨线条本身的抒情连续性，使得万物得以互联，呼吸与共。不仅在空间节奏上，更在时空的并置与交错上，水墨都发挥了至关重要的作用。
Because of the lyrical continuity of ink lines, everything can be interconnected, breathe and share. Ink plays a vital role not only in the rhythm of space, but also in the juxtaposition and intersection of time and space.
李蕤 Rui Li
李蕤 学习经历：法国儒勒.凡尔纳大学造型艺术系，四川美术学院油画系，壤巴拉非遗传习创业园传习中心。
Rui Li Learning experience: University of Picardie Jules Verne in France, Sichuan Fine Arts Institute, Training Center of Rangbala Intangible Cultural Heritage.
【作者阐释 Author’s explanation】
关于行为摄影系列《穿越的风景》：
当我们认同了我们的角色和个性时，
这就是幻象，自我的迷失。
身为人类，我们大多数人，都淹没在日常生活中。很少想过：我们是谁，我们为什么来到这里？我们要去往哪里？
当你穿透幻象的面纱，放下虚幻的自我时，剩下的是什么？
世界的景观是你自己的，
你所看见和感受到的，
你所喜爱和理解的，
全是你正穿越的风景。
About the behavioral photography series "Passing scenery":
When we identify with our roles and personalities,
This is the illusion, the loss of self.
As human beings, most of us are submerged in daily life. Rarely think: who are we and why are we here? Where are we going?
When you penetrate the veil of illusion and put down your illusory self, what is left?
The landscape of the world is your own,
What you see and feel,
What you love and understand,
It’s all the scenery you’re walking through.
行为摄影系列《穿越的风景》之一
Behavioral photography series "Passing scenery"
行为摄影系列《穿越的风景》之二
Behavioral photography series "Passing scenery"
【策评Review】
李蕤将纸条放置在不同场景，以示穿越。但其实这只是示意，是在提示如何真正地穿越一处风景，如何能将风景深刻地留在心中。而人生无非是不断穿越不同的风景，即不同的日常时空。
Li Rui places notes in different scenes to show her crossing. But in fact, this is just a sign, which is a hint of how to really cross a landscape and how to deeply keep the landscape in your heart. And life is nothing more than constantly passing through different landscapes, that is, different daily space-time.
李天恩 Tianen Li
李天恩 群展：2021年参加“我们还是人吗”自画像国际网展，2016年新而上当代艺术展（北京上上国际美术馆）等。个展：2017年“乱开花”个展（杭州逸林汇艺术空间），2014年“桃花岛”个展（杭州四合画廊）。
Tianen Li Group exhibition: participated in the self portrait international online exhibition "are we still human" in 2021, and the new and up contemporary art exhibition (Beijing Shangshang International Art Museum) in 2016. Solo exhibition: 2017 "random flowering" solo exhibition (Hangzhou yilinhui art space), 2014 "Peach Blossom Island" solo exhibition (Hangzhou Sihe Gallery).
李天恩作品
Li Tianen’s works
李天恩作品
Li Tianen’s works
【策评Review】
李天恩的作品是将日常情景入画，又是色彩的极致搭配。其如二次元，压扁日常时空。与李蕤对风景的穿越不同，这是瞬间的驻留。
Li Tianen’s works are not only the painting of daily scenes, but also the ultimate collocation of colors. It is like quadratic element, squashing daily space-time. Different from Li Rui’s "Passing scenery", this is residence of instant.
丽莎 Lisa
丽莎 蒙古族。当代雕塑家，画家，城市景观、公共艺术、潮玩、数字雕塑设计师，央视虚拟艺术设计师。清华大学美术学院雕塑系毕业。现为北京美协雕塑协会会员、内蒙古美术家协会会员、内蒙古雕塑家协会会员。
Lisa Mongolian. Contemporary sculptor, painter, designer of urban landscape, public art, trendy toys and digital sculpture, CCTV virtual art designer. Graduated from the Sculpture Department of the Academy of fine arts of Tsinghua University. Now a member of the Sculpture Association of Beijing Artists Association, Inner Mongolia Artists Association and Inner Mongolia sculptors Association.
【作者阐释 Author’s explanation】
在现代生活中，手机和各种电子设备已经成为我们生活中不可分割的部分。一个手指触摸屏幕的指令动作就解决了所有问题和交流，这已经成为现代人的固有动作。并且在人类科技的不断进步和越来越智能化中，人机交互的发展将更加人性化、简单化、智能化。人类从远古石器时代使用工具，到今天所有生活工作可以一指化完成，简直无法想象。这同时也提醒人类，在享受高速便捷工作生活的同时，要去反思一下现代科技生活的利弊，以及在未来世界如何生活。
In modern life, mobile phones and various electronic devices have become an integral part of our lives. The command action of a finger touching the screen solves all problems and communication, which has become the inherent action of modern people. And with the continuous progress of human science and technology and more and more intelligent, the development of human-computer interaction will be more humanized, simplified and intelligent. It’s unimaginable that all human life and work can be completed in one finger from the ancient stone age. It also reminds human beings to reflect on the advantages and disadvantages of modern scientific and technological life and how to live in the future world while enjoying high-speed and convenient work and life.
《宇宙之手》 白天效果，不锈钢材质，高4-5米
Hand of the universe , daytime effect , stainless steel, 4-5 meters high
【策评Review】
宇宙之手是镂空的，像一座塔型建筑。而其与塔的区别之处在于，它是人的化身，而不是佛。它不仅指向太空，还指向人心。可以说，超结构主义也是直指人心的。
"Hand of the universe" is hollow, like a tower building. The difference between it and the tower is that it is the embodiment of human beings, not Buddha. It points not only to space, but also to the human heart. It can be said that the Superstructuralism is also directed at the hearts of the people.
梁治远 Zhiyuan Liang
梁治远 1986年生于云南省红河州个旧市，2006年毕业于云南艺术学院附中，2010年毕业于云南省红河学院（油画专业），中国新当代研究会会员。居于成都。
Zhiyuan Liang Born in Gejiu City, Honghe Prefecture, Yunnan Province in 1986. Graduated from the middle school attached to Yunnan Academy of Art in 2006, and graduated from Yunnan Honghe Academy (oil painting major) in 2010. Now a member of China New Contemporary Research Association. Living in Chengdu.
《荒草明镜--空》 数字作品，2019年
Barren grass and bright mirror--empty digital works
《荒草明镜--空》 数字作品，2019年
Barren grass and bright mirror--empty digital works
【策评Review】
《荒草明镜--空》是构成型的作品，其一类构成是水墨，其中隐约可见山水草树；其二类是富有装饰性的花纹图案，用来隔断水墨构成。这便是对封闭空间关系的绝佳探讨，即它们的并置、呼应、对比及沟通。
"Barren grass and bright mirror--empty" is a composition works. One of its compositions is ink painting, in which mountains, rivers, grass and trees are faintly visible; The second type is decorative patterns, which are used to separate the ink composition. This is an excellent discussion of the relationship between closed spaces, that is, their juxtaposition, echo, contrast and communication.
卢凤才 Fengcai Lu
卢凤才 水墨艺术家，编剧，导演。自幼喜欢绘画。毕业于鲁迅美术学院服装设计系，结业于鲁迅美术学院创办的千山画苑。结业于北京电影学院导演系。
Fengcai Lu Ink artist, screenwriter and director. Like painting since childhood. Graduated from the Department of fashion design of Lu Xun Academy of Fine Arts, graduated from Qianshan painting garden founded by Lu Xun Academy of Fine Arts, graduated from the director Department of Beijing Film Academy.
【作者阐释 Author’s explanation】
不知不觉中，席卷全球的疫情已经持续了三个年头。我的创作有了新的变化，加强了色彩在作品里的比重，或许是希望给自己或他人带来抚慰和治愈。这样的创作状态一直延续到了今天，也积累了不少作品。回过头看，这些或成熟或完整或即兴或潦草或生动或粗陋的作品记录了人生中注定难忘的一段时光：2020-2022。其中也注入了面对灾难和变故，我们个体生命的内心感受以及对未来人生的思考和态度。到了给他们起名的时候，想法太多，还琢磨了一段时间。借用南朝谢赫在《古画品录》中提出的设色方法——随类赋彩，姑且称呼它们为“随心赋彩”系列吧。生活还要继续，至于明天，未完待续……
Unconsciously, the epidemic that has swept the world has lasted for three years. I have made new changes in my creation, strengthening the proportion of color in my works, perhaps in the hope of bringing comfort and healing to myself or others. This creative state has continued to this day, and has accumulated many works. Looking back, these works, which are mature or complete, impromptu or sloppy, vivid or crude, record a period of life destined to be unforgettable: 2020-2022. It also injects the inner feelings of our individual life and our thinking and attitude towards the future life in the face of disasters and changes. When it came time to name them, I thought too much and pondered for some time. To borrow the coloring method proposed by Xie He of the Southern Dynasty in the "Ancient painting catalogue"--color by category, let’s call them "Color by heart" series. Life still has to go on. As for tomorrow, it’s not over yet……
《随心赋彩》系列5# 纸本水墨，69x69cm，2022年
"Color by heart" series 5# paper ink
《随心赋彩》系列6# 纸本水墨，69x69cm，2021年
"Color by heart" series 6# paper ink
【策评Review】
《随心赋彩》系列与朱鲲的作品类似，都是对色彩的随意挥洒，也是对空间的任意扭曲。虽然这个空间是二维的，但画面的呈现还是达到了2.3维的程度。这也说明，新维度是可以从旧空间里生成的。
Similar to Zhu Kun’s works, the series of "Color by heart" is a random sprinkling of color and a random distortion of space. Although this space is two-dimensional, the presentation of the picture has reached the level of 2.3 dimensions. This also shows that new dimension can be generated from the old space.
滕锋 Feng Teng
滕锋 1965年出生，现住北京，自由职业者。一个坚持与艺术相伴的人，有时他照顾她多一些，有时她关照他多一些，相互客气，却又毫不客气，分分合合直到今天。
Feng Teng Born in 1965, now living in Beijing, freelance. A person who insists on being accompanied by art, sometimes he takes care of her more, sometimes she takes care of him more. They are polite to each other, but they are not polite at all. They are on and off until today.
《共生系列》NO.06
Symbiosis series No.06
【策评Review】
藤峰的《共生系列》与卢凤才的《随心赋彩》相比，更显狂野，具有极强的写意性。其实所谓力透纸背、破壁而出，就是意欲突破二维平面，向着更高维度迸发生命力。
Tengfeng’s "Symbiosis series" is more wild and freehand than Lu Fengcai’s "Color by heart". In fact, the so-called "breaking through the back of the paper and breaking through the wall" is intended to break through the two-dimensional plane and burst into vitality towards a higher dimension.
滕亚红 Yahong Teng
滕亚红 1987年生于湖南，现生活于北京和成都。中国新当代研究会会员，中国当代女子画会会员。
Yahong Teng Born in Hunan in 1987 and now lives in Beijing and Chengdu. She is a member of China New Contemporary Research Association and China contemporary women’s Painting Association.
《疫情下的掠影》 布面丙烯及综合材料，80x150cm，2020年
Glimpse of the epidemic cloth acrylic and comprehensive materials
【策评Review】
滕亚红作品里的花朵或绽放，或凋谢，或正在孕育，而三段式的画面也正好呈现了这三种状态。这或许是受到山水画多时空并置的启发，即以花的不同状态来表征时空异同，来实现时空的变换。而这也正是疫情带给作者及很多人的感受。
The flowers in Teng Yahong’s works either bloom, wither, or are pregnant, and the three-stage picture also shows these three states. This may be inspired by the juxtaposition of multiple time and space in landscape painting, that is, to represent the similarities and differences of time and space with different states of flowers, so as to realize the transformation of time and space. This is exactly what the epidemic has brought to the author and many people.
邢昊 Hao Xing
邢昊 原名邢少飞，1963年出生于山西襄垣。诗人，画家，获第四届亚洲诗人奖、第十一届李白诗歌奖特别奖、《都市文学》中国桂冠诗人奖、美国亦凡文学奖。
Hao Xing Formerly known as Shaofei Xing, born in Xiangyuan, Shanxi Province in 1963. Poet, painter. Won the fourth Asian poet award, the special award of the 11th Li Bai poetry award, the Chinese poet laureate award of "Urban literature" and the American Yifan literature award.
《窥视》 墨汁卡纸，76x52cm，2022年
Peep ink cardboard
【画评Review】一个女人似在戏耍宇航员，意味着她就像一颗星球。宇航员翻滚着，急于登陆这个他梦寐以求的星球。
A woman seem to be playing with astronauts, which means she is like a planet. The astronaut rolled, eager to land on the planet he had dreamed of.
《投降》 墨汁卡纸，76x52cm，2022年
Surrender ink cardboard
【策评Review】
邢昊的黑白作品夸张而有型，将女人体化作山河大地，令人想起始祖女娲。或令其戏弄宇航员与地球，像一位女神。其形象顽皮、戏虐，可说是超结构的形象代言人。
Xing Hao’s black-and-white works are exaggerated and stylish, turning the female human body into a mountain, river and earth, which reminds people of the ancestor Nuwa. Or make it tease astronauts and the earth, like a goddess. Its image is naughty and playful, which can be said to be the image spokesman of Superstructuralism.
徐宏雁 Hongyan Xu
徐宏雁 艺名子然。1972年生于长春。黑龙江剪纸协会副秘书长、吉林省剪纸专业委员会副秘书长。从事的艺术创作包括行为、音乐、舞蹈、诗词、纪录片等。作为演员，出演舞台剧、微电影、电影、短片等。曾任香港影视芭蕾舞蹈学校副校长、吉林大学南湖校区外国留学生美术指导师、长春市政协剪纸艺术中心办公室主任。
Hongyan Xu Stage name is Ziran. Born in Changchun in 1972. Deputy Secretary General of Heilongjiang paper-cut Association and Jilin paper-cut Professional Committee. His artistic creation includes behavior, music, dance, poetry, documentary, etc. As an actor, he acted in stage plays, micro films, films, short films, etc. He used to be the vice president of Hong Kong film and television ballet school, the art instructor of foreign students in Nanhu campus of Jilin University, and the director of the office of Changchun CPPCC paper-cut art center.
《守望》铜版纸剪纸，25x35cm
Watch coated paper-cut
《立规》铜版纸剪纸，25x35cm
Legislation coated paper-cut
【策评Review】
徐宏雁的剪纸作品显示其造型力的奇诡。无论是如变形金刚般胸怀轿车的“守望”，还是如同欧洲中世纪武士的“立规”，都属于神兽一族，驰骋于超时空，不受任何维度的拘束。
Xu Hongyan’s paper-cut works show the strangeness of his modeling power. Whether it is the "Watch" with a car like a transformer or the "Legislation" like a samurai in medieval Europe, it belongs to the divine beast family, galloping in super space- time, free from any dimensional constraints.
古洪强 Hongqiang Gu
古洪强 1979年生于重庆。自幼酷爱绘画，不满于受到传统绘画的限制，在布面、综合材料、纸本、摄影、影像等方向不断尝试。
Hongqiang Gu Born in Chongqing in 1979. Loved painting since childhood, dissatisfied with the limitations of traditional painting. Continued to try in the direction of cloth, comprehensive materials, paper, photography, images and so on.
【作者阐释 Author’s explanation】
追求艺术自由，以及内在所链接的外在符号表现。注重研究色彩、线条、形象与内心生命的关系，以及艺术的自我解放，还有对个体内在情感精神的了解、发现、更新与觉醒。用一种新的形式来连接内部世界与画面及多种形式的自由，表现出真正属于自己的艺术形式。不断了解世界的真相与生命本源，用艺术表达灵魂的丰富与自由。
Pursue artistic freedom, as well as the external symbolic expression linked internally. Pay attention to the study of the relationship between color, line, image and inner life, as well as the self liberation of art, as well as the understanding, discovery, renewal and awakening of individual internal emotional spirit. Use a new form to connect the internal world with pictures and the freedom of various forms, and show truly own art forms. Constantly understand the truth of the world and the origin of life, and use art to express the richness and freedom of the soul.
古洪强作品
Gu Hongqiang’s works
【策评Review】
古洪强的作品粗旷有力，右面是阴郁的蓝黑结构，左面是明亮的迸发。左右对比，仿佛两个隔绝的世界忽然被打通。
Gu Hongqiang’s works is broad and powerful, with gloomy blue-black structure on the right and bright burst on the left. Left and right contrast, as if two isolated worlds were suddenly opened up.
张志刚 Zhigang Zhang
张志刚 毕业于内蒙古师范大学美术系油画专业、首都师范大学美术系油画研修班，中央美术学院油画系材料表现工作室访问学者。内蒙古科技大学美术学院副教授，中国美术家协会会员。多次举办个人作品展，出版个人画册，策划艺术活动。
Zhigang Zhang Graduated from the oil painting major of the art Department of Inner Mongolia Normal University, the oil painting seminar of the art Department of Capital Normal University, and a visiting scholar of the material performance studio of the oil painting Department of Central Academy of Fine Arts. Associate professor in Academy of fine arts of Inner Mongolia University of Science and Technology, member of China Artists Association. Held many exhibitions of personal works, published personal albums, and planned artistic activities.
《山水计划》292 布面丙烯及综合材料，200x90cm，2019年
Mountain-river plan 292 cloth acrylic and comprehensive materials
《山水计划》288 布面丙烯及综合材料，200x90cm，2022年
Mountain-river plan 288 cloth acrylic and comprehensive materials
【策评Review】
张志刚的《山水计划》以各具色彩的圆为主要意象，圆与圆的关系就像是不同的星球。它们相互影响，吸引，接收彼此的物质与能量，共同照亮宇宙背景。
Zhang Zhigang’s "Mountain-river plan" takes colorful circles as the main image, and the relationship between circles is like different planets. They interact, attract and receive each other’s matter and energy, and jointly illuminate the cosmic background.
汤军 Jun Tang
汤军 独立艺术家，作家。创立超结构主义，致力于打通科学与艺术、艺术与社会之藩篱，倡导大艺术观，并预言了未来的波动艺术。
Jun Tang Independent artist, writer. Create Superstructuralism, strive to break through the barriers between science and art, art and society, advocate the Grand View of art, and prophesy Waveart in the future.
【作者阐释 Author’s explanation】
观念实验是一种新的艺术形式，其特征之一就是不着任何形象，而只有文字。即通过文字描述引发的想象，来进行艺术实验。
Concept experiment is a new art form, one of its characteristics is that there is no image, but only words. That is, to carry out art experiments through the imagination triggered by written descriptions.
观念实验作品之一：奔向黑洞的“蒙娜丽莎”
Concept experiment works 01: "Mona Lisa" running towards the black-hole
将达芬奇的《蒙娜丽莎》投入黑洞，会发生什么。我们可以想象，当《蒙娜丽莎》进去后会燃烧起来，连同她的笑容，瞬间做黑蝴蝶状，灰飞烟灭。其实呢……
What happens when Leonardo da Vinci’s "Mona Lisa" is thrown into a black-hole. We can imagine that when the "Mona Lisa" goes in, it will burn up, and her smile will instantly turn into a black butterfly and disappear. Actually, ……
《蒙娜丽莎》进入黑洞那一刻起，什么也不会发生。因为所谓发生的一切都需要有光，有光才会有事实。而黑洞里没有光，光只在黑洞的视界边缘游弋。
Nothing will happen from the moment the "Mona Lisa" enters the black-hole. Because everything that happens needs light, and only light can have facts. There is no light in the black-hole, and light only cruises at the edge of the event horizon of the black-hole.
而且，黑洞里没有时间。“蒙娜丽莎”的微笑将在其中永存。
Moreover, there is no time in the black-hole. The "Mona Lisa" smile will last forever in it.
观念实验作品之二：量子纠缠中的眼泪
Concept experiment works 02: tears in quantum entanglement
设想具备量子纠缠效应的物体从微观粒子扩展到宏观事物，比如眼泪。于是可以想见，两滴眼泪原本是一体的，储藏在泪腺当中，处于静止状态。等到它们分隔在两地，两地距离为一光年，而它们之间依然保持着一种鬼魅般的互补关系，即量子纠缠。
Imagine that objects with quantum entanglement effect extend from microscopic particles to macroscopic things, such as tears. So it can be imagined that the two tears were originally one, stored in the lacrimal gland, in a static state. When they are separated in two places, the distance between the two places is one light year, and they still maintain a ghostly complementary relationship, namely quantum entanglement.
当一滴眼泪凸起时，另一滴就会凹陷；当这一滴呈现竖条状时，那一滴就会是滚滚椭圆；当这滴是一小池水，那滴就会散如落玉……
When one tear bulges, the other will sag; When this drop appears as a vertical bar, that drop will be a rolling ellipse; When this drop is a small pool of water, that drop will scatter like falling jade……
如果两滴泪渐渐各自成长为或弥漫作星球，我们就可以通过望远镜看到类似月亮阴晴圆缺的景象，即看到两颗遥远对视的透明星体，具有律诗般的平仄对仗关系，这是宇宙史诗般的宏伟气象。
If the two tears gradually grow into or diffuse into the stars, we can see through the telescope a scene similar to the moon’s cloudy, sunny, round and waning, that is, we can see two distant transparent stars looking at each other, with a rhythmic relationship, which is the epic grandeur of the universe.
《四维之椅》 布面油画，2021年
Four dimensional chair cloth oil painting
《世界潮玩大团结万岁》 布面油画，2021年
Long live the world trendy toys great unity cloth oil painting
《面包之上》 布面油画，2021年
On bread cloth oil painting
《水经注》 布面油画，2021年
Water classics annotation cloth oil painting
二、下一步计划 Next step plan
（1）超结构主义大展 The major exhibition of Superstructuralism
超结构主义大展是群展的继续，更是对超时空结构的新探索与新发现。
The exhibition of Superstructuralism is not only the continuation of group exhibition, but also the new exploration and discovery of super space-time structure.
（2）走向波动艺术 Towards the WaveArt
从超结构主义走向波动艺术，是一次艺术的历险与奇遇。
It is an artistic adventure to move from Superstructuralism to Waveart.
波动艺术，就是要创造出具有或然性内容与形式的艺术，就是对粒子的确定性世界的极限突破。
Wave art is to create art with probabilistic content and form, which is the limit breakthrough of the deterministic world of particles.
三、结束语 Concluding remarks
可能在以往的群展中，从没有一个策展人兼学术评论会如此仔细阅读评述每个人的作品及其学术面貌，并将他们及其作品联成一个体系。作为策展人，我理应如此。
Probably in the past group exhibitions, no planner and academic commentator would read and comment on everyone’s works and their academic outlook so carefully, and connect them with their works into a system. As a planner, I should be.
作为学术评论者，我既然创立了超结构主义，就应该实践之，因为我已将此次群展看作是一个超结构主义的大制作。
As an academic commentator, since I have founded Superstructuralism, I should practice it, because I have regarded this group exhibition as a big production of Superstructuralism.
THE END
revealed 1089 times
|
