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【现场】上苑艺术馆2018“国际创作计划”年展 .

[2018-10-27 18:57:41]

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【现场】上苑艺术馆2018“国际创作计划”年展

Shangyuan Art Museum 2018 International Residency Program Annual Exhibition

策展人：李念奴，艺术家代表：Goran STAKIC（塞尔维亚）、雪芹子发言，薛畅（翻译）

参展人员：Alexander Höglund（行为、瑞典）、Cynthia Fusillo（装置西班牙）、Chris Hel（美国）、Carlos Carvalho（澳大利亚）、常鑫、Cata.González（智利）、底伞伞、Emilie Palmelund（行为、丹麦）、Goran STAKIC（塞尔维亚）、贺晋、Hadi Lotfi(伊朗) 、Jake Blaschka (澳大利亚）、Joyce Rivas(哥伦比亚)、焦伟娜、Josh Gibbs（英国）、刘柏林、琳子、刘和森、刘一、刘迎春、李念奴、梁哲、聂以为、宓赫言、Mo Sirra（荷兰A7室内设计）、濑尾登美惠（日本）、Polly Williams（澳大利亚）、Promiti Hossain（孟加拉）、任鹤、Rember Yahuarcani （秘鲁）、Seirin Hyung （韩国）、滕海英、谭勤、Viviana Druga（行为、德国）、王刘健、毋蓬勃、薛畅、杨先平、雪芹子、詹明昭、赵涓涓、张智罡

Participating Artists:

Alexander Höglund (Performance, Sweden), Cata González (Installation, Chile), Cynthia Fusillo (Installation, Spain), Chris Hel (US), Emilie Palmelund (Performance, Denmark), Hadi Lotfi (Sculpture, Egypt), Jake Blaschka (Installation, Australia), Josh Gibbs (UK), Joyce Rivas (Colombia), Polly Williams (Australia), Promiti Hossain (Bangladesh), Rember Yahuarcani (Peru), Mo Sirra (A7 Interior Design, Netherlands), Chang Xin, Di Sanan, Gu Hongqiang, He Jin, Jiao Weina, Mi Heyan, Tomie Seo (Japan), Li Niannu, Liang Zhe, Liu Bolin, Lin Zi, Liu Hesen, Liu Yi, Nie Yiwei, Ren He, Tan Qin, Teng Haiying, Wang Liujian, Wu Pengbo, Xue Chang, Xue Qinzi, Yang Xianping, Zhan Mingzhao, Seirin Hyung (Korea), Viviana Druga (Performance, Germany), Zhang Zhigang and etc.

前言

艺术乌托邦从不曾存在过，但艺术家们从来没放弃寻找的步履。他们找到一些疑似乌托邦的地方，燕山脚下的上苑艺术馆便是其中之一。

2018年4月至10月，上苑艺术馆迎来了61名来自38个国家的艺术家。他们在这里进行了为期7个多月的交流与创作，举行了21场艺术活动，包括互动式行为艺术、群展、个展等。

其中有来自德国的艺术家Viviana Druga行为艺术“盲洗机”，她说，内在和谐是管理混乱外部世界的唯一途径。她提醒中国对污染的关注。

五月由Alexander Höglund（瑞典）和Emilie Palmelund（丹麦）组织的“筑巢之影”行为艺术，调动了馆内馆外诸多社会人，获得了广泛的参与与深入的互动。成为今年一场具有轰动效应的互动性艺术事件。他们在一处被强拆的废墟中，“家”已不复存在，但艺术家用仪式、用想像引领着人们进行追思，最后“家”似乎得以重生。详情：http://www.syartmuseum.com/chinese/article.asp?id=3766

六月我们举行了一场具有深远意义的活动，三十年前女摄影师骑行6600里的摄影展。将她们从成都到北京，骑自行车6600里，背着简陋而沉重的摄影器材拍摄她们拍到的老照片翻出来，重现这段历史。详情：http://www.syartmuseum.com/chinese/article.asp?id=3775

七月之后，几乎每周有一到两场的展览活动，让人目不暇接。大家可以在上苑的网站和和移动互联网上看到更多详情http://www.syartmuseum.com

本次上苑艺术馆2018年“国际创作计划”年展，是我们本期的总结展。几十位有强烈个性的艺术家，将选择他们在馆期间创作的代表作进行展示。

没有一种美学标准能够将它们悉数套入。对于一群离经叛道者，唯一可以肯定的是，一笔一画，一招一式，均出自他们的灵魂。大多数艺术家清贫，但他们精神上的富足、自由都反映在他们的作品中。他们沉浸在自己的艺术世界，并不罔顾现实，他们的作品在追求更高艺术境界的同时，作为时代的代言人和记录者，他们奉献的不仅仅是美与自由，更是作为艺术家的良心。

——唐果

Preface

Art Utopia never existed, yet artists never stopped looking for it. They have found some that might be close enough, one of which is located at the foot of Yanshan Mountains as the Shangyuan Art Museum.

Between April and October, Shangyuan have accommodated 61 artists from 38 different countries. They spend 7 months here to work and exchange ideas. 21 exhibitions were held, including performance art, group exhibition, solo exhibition, and etc.

One of the exhibitions was German artist Viviana Druga’sBlind Washing Machine,she says that the only way to manage the chaotic external world is through internal harmony. She wants to draw people’s attention to the pollution in China.

In May, Alexander Höglund and Emilie Palmelund organized a performance calledThe Shadow of Nest Building.They have mobilized many participants within and outside of the museum. Their performance has achieved great participation and interaction It has become a influential art event this year. They were inside a ruined site of a former building,Homewas already gone, but the artists, by using rituals, led the audience with imagination to recreateHome.

In June, we had an exhibition with profound significance, photos from a 3300 kilometers bicycle trip three decades ago. The members of the trip were all female photographers. From Chengdu to Beijing, they cycled 3300 kilometers, carrying simple, crude, and heavy photograph equipment. This time, we take these photos from the dusty archive to rediscover this great event.

In July, almost every week there was an exhibition, which made the audience’s eyes fully occupied. You can find out more information concerning these exhibitions in our website.

This 2018 International Residency Program Annual Exhibition is the summary of this year’s residency program. Dozens of strong-minded artists will present their works they made during the residency.

There is no common aesthetic standard that can judge them. As a group of rebels, the only thing that we know for sure is that each stroke of their brush, each movement of their body is originated from their soul. Most of artists, throughout their life, are poor, but they feel content from their spiritual life, and their freedom of mind is represented in their works. They immerse themselves in their artistic world, regardless of the world surrounding them. Their works are not only to explore higher artistic realm, but also act as the spokesperson and chronicler of their time. What they have contributed are only art and freedom, but their consciousness as artists.

By Tang Guo