[2018-10-14 18:21:21]

【上苑展讯】萬物生~滕海瑛个展

Ten Thousand Things Live - One Exhibition by Teng Haiying

策 展人：  肖毓方
学术主持：程小蓓
开幕时间：2018年10月17日，下午3:30
展览时间：2018年10月17日至23日
展览地点：北京市桥梓艺术公社上苑艺术馆一号展厅 
主办单位：北京上苑艺术馆

Curator: Xiao Yufang
Academic Chair: Cheng Xiaobei
Opening date: 17 October 2018, 3:30 p.m.
Exhibition Time: 17-23 October 2018
Venue: Exhibition Hall No.1, Shangyuan Museum of Art, Qiaozi Art Community, Beijing
Organizer: Beijing Upper House Art Museum

前言：

作为一名艺术家 ，海瑛的視覺敘事邏輯，不難發現，她特有的视角和开放敘事經驗，構成了作品的主要取向，对自然、人性之美、爱与性以及自然万物的持續關注，使得其作品形成了符合审美趣味結構，不仅叙述主角换成原来的被叙述者，叙述对象也转被动为主动。比如，她作品中的蜜蜂不再只是被欣赏的对象，而是承载情感和现实内涵的主角，它表意内心世界的各种情绪和欲望，还与身体和生存经验部分连接，体现生命主体的自觉意识。在这里，体现出被转换后换发出新的生命力。

此时已经回到生命本身。生命的积累历程，甚至感情的沉淀，此时创作的作品都是有表情的。

所传达出的生存与环境现实问题。

此次展览，《万物生》在媒介的选用上，通过影像、图形、绘画、裝置、影響等艺术表达方式，去彰显艺术与自然萬物洞察性表达。

肖毓方

2018.10.11.

Foreword:

As an artist, Han Hye-yeong’s visual logic is not difficult to find. Her unique perspective and open-minded experience make her the main orientation of the work, The constant attention to nature, the beauty of human nature, love and sex, and all things in nature make his works conform to the aesthetic taste structure, not only narrating the protagonist to the original narrator, but also changing the narrative object into active. For example, the bees in her works are no longer the objects of appreciation, but the protagonists bearing emotion and reality connotation. It expresses all kinds of emotions and desires in the inner world, and connects with the body and survival experience partly, embodying the conscious consciousness of the subject of life. In here, reflect to be transformed to send out new vitality.

It’s back to life itself. The accumulation process of life, even the precipitation of feelings, at this time, the works created are expressional. The problems of survival and environmental realities conveyed.

The exhibition, "All Things Life" in the choice of the media, through images, graphics, paintings, installation, influence and other artistic expressions, to show the art and natural all-seeing expression.

Xiao Yufang

2018.10.11.

艺术家滕海瑛自述

上苑艺术馆的结构，让空间内部的线条看起来极为通透，从高处引入光线的天窗，一个拥有天光与自然相融的空间。展示的有限空间与外界自然呼应，与空间本身交相辉映融为一体。

作品必须足够丰富有力，才能与这个空间相融抗衡。画布的质感无法实现理想的硬度，为了作品具有生命力，重新考虑了媒介，选择了钢丝和综合材料制作的蜜蜂会带来硬朗的线条和立体的空间感，它与空间的通透边缘产生呼应。天光与墙面的绘画装置缠绕一起，装置作品中的许多考虑都是“应对性”的——对空间的应对，最终它们的力量凝聚在“万物生”的体验中。

当“万物与自然”具备力量，并在环境中产生关联，我们能感知到的空间与时间变化没有穷尽。

滕海瑛

2018.9.10

Written by artist Teng Haiying

The structure of the Shangyuan Museum of Art makes the interior lines of the space seem extremely penetrating, and the skylight that draws light from high places is a space where the light and the nature are in harmony. The limited space displayed corresponds to the natural response of the outside world. and the space itself.

The work must be rich and powerful enough to compete with this space. The texture of the canvas cannot achieve the desired hardness. In order for the work to have vitality, the medium is reconsidered, The honeybee made of steel wire and composite material will bring strong lines and three-dimensional sense of space, which will correspond with the penetrating edge of space. The light of day and the painting device on the wall are entwined together, and many of the considerations in the installation work are "reactive" - the response to space, and their power is ultimately condensed in the experience of "all living things".

When "everything and nature" have the power and connection in the environment, the spatial and temporal changes that we can perceive are not exhausted.

Teng Haiying

2018.9.10

作者：滕海瑛

名称：《角度》

材质：布面油画

尺寸：80X100cm

年代 ：2018

Author: Teng Haiying

Name: Angle

Material: Oil painting on cloth

Size: 80X100CM

Years: 2018

作品介紹：

     作品或结尾的缺失沒完成，都包含了某些缘由。但这些缘由并不是以明晰的语言出現，观后需要从另一个视角解读方可体会。有时，同样的作品还可能有两种不同的阐释，进而需要再三。这是作者想看到的。

并且事实上让作品在无意识中表达了更多内容。

Introduction:

The lack of completion of the work or the ending contains certain reasons. However, these reasons do not appear in clear language. After viewing them, we need to understand them from another angle. Sometimes, the same work may have two different interpretations, and then again. This is what the author wants to see.

And actually makes the work express more in the unconscious.

作者：滕海瑛

名称：《有限空间》

材质：影像记录

时长：3分钟

年代 ：2018

Author: Teng Haiying

Name: Limited Space

Material: video recording

Duration: 3 minutes

Years: 2018

作品介绍：

《 有限空间》被自然界的植物包围着，粉红色如肌肤在自然环境中现显。吮吸着来自自然万物能量，力比多孕育着自然界及每个生灵。可以不受展示空间的限制，用多视角体验作品与空间的关系。

（力比多（libido）由精神分析大师弗洛伊德提出，力比多是一种本能，是一种力量）

Introduction:

"Limited Space" is surrounded by natural plants, pink as skin in a natural environment. Sucking energy from all things in nature, the libido nourishes nature and every living thing. It can experience the relationship between the work and the space with multi-perspective without the restriction of the display space.

libido, proposed by psychoanalyst Sigmund Freud, is an instinct, a force

作者：滕海瑛

名称：《阿睹》系列

材质：布面油画

尺寸：80X100cm

年代 ：2018

Author: Teng Haiying

Name: "Assen"

Material: Oil painting on cloth

Size: 80X100CM

Years: 2018

作者：滕海瑛

名称：《48个艺术瞬间》

尺寸：100X240cm

年代：2018

Author: Teng Haiying

Name: 48 art moments

Size: 100 X 240 cm

Decade: 2018

作品介绍：

2018上苑艺术馆国际驻访日志，第一天的第一个夜晚，卧室的窗面对着山，它看似是一成不变。但随着季节在变、阳光在变、时间在变，它又是那么捉摸不定。因为山的内在的东西是千变万化的，那么在你的心中就产生一种好奇感，你看这座山时，它可能是一个现实的东西——你问自己是不是就这样去表现它，还是它内在的东西更重要些。我相信那些内在的东西更重要些，因为你所看见的东西已经是变化了的东西，我把山和好奇带进来……一切都在这里聚集着能量，这种力量所处的环境更加复杂多变。

所有的行为都穿越其他艺术家的身体、精神、世界观。这是真正重要的，无论你做哪种艺术。我感激每件事，每个人，因为我是一个“收集者”。但的确有某种神奇的陌生和意想不到的事的念头，就是通过选取周围的东西，在这个范围内你能感受到这种捉摸不定的状态

但是它的发端是一个聚集力量的过程，收集来的是每一个惊喜。

2018.9.10

Introduction:

On the first night of the first day, the bedroom window faces the mountain, which seems to be immutable. But as the seasons change, the sun is changing, time is changing, and it is so elusive. Because the things inside the mountain are ever-changing, then there is a sense of curiosity in your heart, when you look at the mountain, it may be a realistic thing -you ask yourself if you are just showing it, or if it’s something inside that’s more important.I believe that what is inside is more important, because what you see is already a changed thing, and I bring in the mountains and curiosity.... Everything is gathering energy here, and the environment

is more complex and changeable.

All of the behaviors go through the body, the spirit, the world view of other artists. It’s really important, no matter what kind of art you do. I appreciate everything, everyone, because I am a "collector".But there is something magical about the idea of something strange and unexpected, which is that by selecting the things around you, you can feel this uncertainty within this range.The state of

But the beginning of it is a process of gathering strength, gathering every surprise.

September 10, 2018

作者：滕海瑛

名称：《吮吸》系列

材质：布面亚克力

尺寸：65X175cm

年代：2014

Author: Teng Haiying

Name: sucking series

Material: fabric acrylic

Size: 65X175CM

Years: 2014

作者：滕海瑛

名称：《吮吸》系列

材质：综合版画

尺寸：65X175cm

年代：2018

Author: Teng Haiying

Name: sucking series

Material: composite print

Size: 65X175CM

Years: 2018

作品介绍：

呈现的物像或隐或现相互交融表现方法，蜂与花最具代表性的符号作为画面载体，借喻阴阳性别的转换。暗示人类与自然环境无限的空间，在传播中重构着自然与环境的关系。自然的传播以及人的自身的生命的问题，产生了相互交汇与渗透，以自然环境领域提供价值，更多的体现了对自然环境、生存的思考。

Work overview:

Sucking Series

The representation of the object image or the hidden or the present, the most representative symbol of bee and flower is used as the image carrier, and the transformation of the yin and yang is explained. It suggests that the infinite space between human and natural environment reconstructs the relationship between nature and environment in the process of propagation. The transmission of nature and the problems of human life have resulted in mutual intersection and infiltration, which provide value in the field of natural environment and more reflect the thinking on the natural environment and survival.

简历：

滕海瑛，1969年生于辽宁，现生活工作于上海和北京。

Teng Haiying was born in Liaoning in 1969 and now lives and works in Shanghai and Beijing.

主要展览：

2018年

2018上苑艺术馆国际创作计划开幕展 上苑艺术馆 北京

受邀意大利都灵艺术学院。

欧洲行——国际艺术交流。 SHE·Art|她·女性艺术节 北京，白空间+上苑当代艺术馆

2017年

深海 -- 上海国际艺术交流展。

驻上海韩国文化院 上海

2016年

德国柏林歌德学院 艺术学院

访问学者 柏林

2015年

交汇•四重奏 ——国际艺术家联展 上海新天地

2014年

个展 生生不息——绘画装置作品展 南京美术馆 南京

2014年第二届哈尔滨国际当代艺术展 哈尔滨

2013年

表像——FOA ART 社团 国际当代艺术家联盟 南京

2012年

中国国际艺术节 景德镇

2011年

绿野仙踪—之696 工作室开放展 上海

2010年

城市一 仁项目 上海 国际艺术家社团

24小时 ——创作过程 澳大利亚墨尔本/上海

Major exhibitions:

2018

Shangyuan Art Museum International creation plan opening exhibition Shangyuan Art Museum Beijing

Invited to the Art Institute of Turin, Italy.

European tour-international art exchange. SHE Art Festival Beijing, white space + Shangyuan Contemporary Art Museum

2017

Deep sea -- Shanghai international art exchange exhibition.

Korea Cultural Institute in Shanghai Shanghai

2016

Goethe-institut Berlin Art College

Visiting scholar Berlin

2015

Intersection Quartet International Artists Exhibition Shanghai Xintiandi

2014

Solo exhibition Exhibition of paintings and installations Nanjing Art Museum Nanjing

The second Harbin International Contemporary Art Exhibition Harbin

In 2013,

Table like -- FOA ART Community International Union of Contemporary Artists Nanjing

2012.

China International Art Festival Jingdezhen

2011

Wizard of oz-696 Open studio Exhibition Shanghai

2010

One city Kernel project Shanghai International Artists Association

24 hours. -- creative process Melbourne, Australia / Shanghai

出版物

2017年 拍卖图录广州

2014年 国际当代艺术作品展 天津人民美术出版社

2010年 上海CityWeekend 城市周刊

2009年 时尚高尔夫 上海国际时尚联合会

2007年 城市漫步韩文版访谈 五洲传播出版社

2006年 上海艺术家工作室（3） 中华文化出版社

2005年 《东方周末》专访 东周传媒机构

publications

2017 Auction Catalogue of Guangzhou

Tianjin People’s Fine Arts Publishing House, 2014 International Contemporary Art Works Exhibition

2010 Shanghai CityWeekend City Weekly

2009 Fashion Golf Shanghai International Fashion Federation

Interview with Five Continents Communication Press in 2007 Urban Ramble Korean Edition

2006 Shanghai Artists Studio China Culture Press

2005 "oriental weekend" interview with the media organization of eastern zhou dynasty

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