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Seirin Hyung (South Korea) Solo Exhibition
[2018-10-23 13:34:40]
【上苑现场】渐渐 Red <Augmented Red> | 邢世潾（韩国）个展
Seirin Hyung Solo Exhibition
策展人：李念奴
学术主持：程小蓓
艺术家：邢世潾（韩国）
开幕时间：2018年10月25日16：30
展期：2018年10月25日至31日
展览地点：中国 北京 上苑艺术馆 A4工作室
主办：上苑艺术馆
Curator: Li Niannu
Academic Host: Cheng Xiaobei
Artist: Seirin Hyung (South Korea)
Opening: 16:30, Oct, 25th, 2018
Period: Oct, 25th to 31th, 2018
Venue: Shangyuan Art Museum, Space A4, Beijing, China
Organizer: Shangyuan Art Museum.
前言
异乡·异相
作为一位初次来到中国的韩国女孩，艺术家Seirin的中国印象不可避免地有一种异乡人的疏离感，充满惊奇，困惑和不安，还有一种类似梦境的恍惚，游移与不确定，这些气息弥漫于她的画面和讲述之中，构成了这批作品的基调和主题。 Seirin说她来到中国看到了太多的红，我觉得她非常准确地抓住了这个国家的一个外在特征，并把它作为自己这组作品的主色调，从而使作品的语言更清晰，更有针对性和感染力，也使主题更突出。与真正的中国红相比，她用了粉红和荧光红来表达自己的感觉，使作品具有了更浓厚的现代感。 Seirin这组作品以初来中国的所见及艺术馆周边环境为主要题材，但并非简单的再现，画面最终呈现的，是经她思索和改造后的外部世界，是陌生的环境与她个人的思维方式和艺术理念冲突后的结果。 Seirin特别强调环境和时代对人的异化作用，为此深感不安和无奈，她试图抗拒和消解这种异化，这组绘画和摄影作品就是她抗拒的方式之一，因此可以说，对于异化的讲述和抗拒，也是她作品的主题之一
李念奴
作品选刊：
Reservoir study1_ 95x300cm_Acrylic on canvas fabric_2018
Reservoir study2_ 95x300cm_Acrylic on canvas fabric_2018
Reservoir study3_ 109x100m_Acylic on canvas fabric_2018
Reservoir study4_ 109x100m_Acylic on canvas fabric_2018
Color Pallet Practice 1.2.3.4_ each 74x26cm_ Acylic on canvas fabric_2018（上苑艺术馆收藏)
Color Pallet documentation on Mosquito tablet_ each 2x3.5cm_ Acrylic on mosquito tablet_2018
bus1 公共汽车1_40x53 digital print_2018
bus2 公共汽车2_40x44 digital print_2018
bus3 公共汽车3 60x40cm_ digital print_2018
Seirin Hyung CV
The color is one of the signifiers in my work. I wanted to look at that culture through the red color. Color can represent now, which contains the time, era, space, culture, and history of course. I proceeded the < 渐渐 Red; Augmented Red> project while I staying in Shangyuan Museum Artist Residency program. In this project, I had time to explore the relation between the specific place and myself.
I examined how figurative painting can function as a medium for visualizing emotions in this digital era. I focused on the ideas of fear, isolation, and anxieties that come from surroundings. In particular, they deal with a sense of alienation derived from modern digitalized society and culture. Neon and gradation of the color usually forms a background for the painting and is used as a motif to filter the visual information. At the same time, this technique allows me to express the notion of alienation and emptiness.
I aspire deceleration world. In this digitalized society, lots of things are changed and appeared so fast before adapted at this moment. Somehow, ‘Painting’ looks like the world I aspired.
EDUCATION:
2016 - 2017 Glasgow School of Art, MLitt Fine Art Practice, Painting, Glasgow, UK
2008 - 2014 Konkuk University, Contemporary Art, BFA, Seoul, Korea
2010 The exchange program at Satakunta University of Applied Sciences, Fine Art, Kankaanpaa , Finland
AWARDS/ RESIDENCY:
2018 Shangyuan Art Museum Artist Residency Program, Beijing, China
2018 Kunstnarhuset Messen Artist Residency Program, Ålvik, Norway
2017 Shortlisted (final judging), Mussini Oil Painting Competition, London, UK
2016 Dumfries house artist residency program, Ayrshire, UK
EXHIBITION:
solo exhibition
2018 <Iridescent Moment> Galleri Bokboden, Bergen, Norway
group exhibition
2017 <Drifting Corridors> Old Hairdressers, Glasgow, UK
2017 <Fields of Wheat> Transmission Gallery, Glasgow, UK
2017 <Glasgow School of Art Graduate Degree Show 2017> Tontine Building, Glasgow, UK
2017 <An Exhibition> Mackintosh Club, Helensburgh, UK
2017 <PORTAL_somewhere only we know> Savoy Centre, Glasgow, UK
2017 <Mixed Bag; contemporary art but not too contemporary> Art Centre & Theatre Aberdeen, Aberdeen, UK
2017 <Somewhere Far from Subject Itself> House for an Art Lover, Glasgow, UK
2016 < Deltiology> Six foot Gallery, Glasgow, UK
2018 Glasgow University Magazine, 2nd March 2018
2017 Forest Art Market, The forest café, Edinburgh, UK
2017 Fringe festival art market, House for an Art Lover, Glasgow, UK
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