前言
花园，诸多事件的发生地。作为现实花园，它是一种宇宙秩序的缩影，而身体，作为灵魂的花园，我们栖居在此。
人类栖居于自然，自然作为客观存在是人类文明演进的发生现场，一个具有决定意义的承载体。一方面，自然本体的混沌无序，其作为一个有机整体的价值观，与人类意识之初和内在灵性相连接。另一方面，自然被赋予了一种人文的价值判断，即自然是真实世界的承载基础，作为人类文明演进的发生地和发酵场，无数事件在这里上演。当代语境之下，自然、历史、宗教、科学理性、社会/政治事件交织发生在这一时空场域中。他们建构于某种现实与虚拟的结构之上，或以一种模棱两可的叙述方式展开，或以某种戏剧性的转场而盘根错节。赵涓涓的作品在自然现场发生的直接和间接的事件中进行“叙述”和“记录”，再创造和重新定位事件的新视角、现实主义和愿景。
The garden is the spot of many events. As the garden of reality, it is the epitome of the cosmic order. Nevertheless, we dwell in our body, which is regarded as the garden of the soul.
Human being dwell in nature, as an objective existence, which is the site of the evolution of human civilization and a carrier with decisive significance. On the one hand, as an organic whole, the chaos and disorder of nature itself, has been connected with the source of human consciousness and internal spirituality. On the other hand, nature is endowed with a kind of humanistic value judgment, that is, nature is the basis of the real world, and as the spot and fermentation of human social development, numerous events come up here. In the context of contemporary times, nature, history, religion, scientific reason, social/political events interwave in the space-time field. They are constructed on some kind of physical and virtual structure, unfolding in an ambiguous way, or interweaving through a sort of dramatic transition. Zhao Juanjuan’s artworks "narrate" and "record" the events occurring in the site of nature directly and indirectly, reinventing and reorienting events with new perspectives, realism, and vision.
