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超越符箓——肖毓方纸上作品展

[2014-7-8 19:32:29]

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超越符箓——肖毓方纸上作品展

Exhibition date: 2014 July 13 — 2014 July 30
Opening: 2014 July 13 , 3 pm
Host: 北京功成事遂文化传播机构
Support by : Beijin Shangyuan Art Museum 、 Beijin 103 Gallery

Location : 北京798艺术区D区32号功成事遂画廊

前言

韩伟华

艺术家都是应该有态度的，不论是中国过去士大夫的“穷着独善其身，达者兼济天下”的态度；还是象八大山人的那种愤世的、带有一种不合作的态度；还有当代有些作品主题直指对强权政治以及社会现象的不满，等等。都反映了各种艺术的态度，这种态度就是艺术家对社会生活的一种体验后的自己的表态。肖毓方就是一个有态度的艺术家，从他的作品里除了有艺术家的修养、表现语言外，更重要的应该是他的独立人格。

他是个独立艺术家，在现实中他不依附于任何组织、流派，一直以独行者的姿态自由地往来于现实与梦幻之间，用梦魇与呓语的、符箓般的形式构筑卡夫卡式的寓言，寄希望揭示人类生存所面临的普遍困境，致力于探寻灵魂内部的风景，更多地呈现出一种富有现代主义色彩的精神气质...... 不同是生活态度产生不同的作品，有人说肖毓方的创作具有巫楚诗性智慧在现代性的思想背景下独特的探索灵魂世界的方式。而我认为他的作品中的那种颠覆符箓系统，是在一个更大的文化背景之上的，实际上已经超越了巫楚文化的背景，更具有萨满的基因。他的符号的意义在他的画面上已经脱变成具有记忆系统的一些序列性灵感，其“超越的符箓”系列承载了他不断吸取危机意识的创作能力，体现了艺术家对自我世界的进一步认识和体验，展现了表象背后真实的多重层面，正是通过传统笔触的熟悉和陌生状态的转化，才更能表现是画家思绪和情绪的流动。

Introduction

HanWeiHua

Artistshould have their own attitude , no matter you are the Chinese old master “Arepoor, you alone, amounting to the world and relief.” ; or like Bada shanren ’sanger and un cooperated attitude ; also the contemporary art work which pointto the dissatisfaction of strong government and society phenomenon .etc . Theyare all reflecting different attitudes, those attitudes are artists expressionof their living. Xiao YuFang is an artist who has attitude, from his art workyou can see not only his culture and expression langue, but more important ishis own independent character.

He is an independent artist; he does not depend on any organization, totallyfree as a Loner to travel in between reality and dream. Using the nightmare,raving and Ofuda as a form to build up a Kafkaesque’s style fable. Trying to expressthe common difficulty of our living. Explore the inside picture of soul. Morelikely to express a contemporary style of mental …. Different living stylecreated a different art work. Someone say Xiao YuFang’s art work is using theold poetic intelligent of Wu-Chu culture to reflect the individual soul. And Ithink that he is using a new angle to renew Ofuda .In a bigger culture background,it totally beyond Wu-Chu culture and having the Shamanism genes. His symbolmeaning of visual expression is transform to become a memory of a series of inspiration.His “Beyond the Ofuda” represent his understanding of crisis awareness creation,full fill the world of artist deeper understanding and experiencing. Providingus the layer and diversity behind the visual surface. Though the traditionalstyle of brush to retransform the familiar and strange in order to show thepainter’s mental and emotional movement.